A Quote by Kalki Koechlin
Theatre is something that keeps me very alert, and I am actively creating whether I am on stage or directing. In films, I feel I become more of an introvert, going deeper in the realism of a character.
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The platform doesn't really matter to me, whether it's stage or theatre or even a web series. I just am more interested in, like, if it's a story that I would want to watch and if it's a character that I feel like I can contribute something to, then that's really what gets me.
Acting keeps me alert to people, and life. I don't know, there's something about going to work early in the morning, and having to stay alert and concentrated. Maybe that keeps your mind alive.
One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real.
It's the ground that we walk on, it's where we sit, it's the language that we use. It's a difficult undertaking, but I think without healing that and creating more of a balance between the sexes, we will never have balance globally. I feel like I am going deeper and deeper into this space where I came from that I barely understood.
For me, competition is good; that is what keeps me on my toes and keeps me going. I am always trying to better my own work, do better than my earlier films... do films that are challenging and exciting for me.
I am definitely going to continue directing, but I am always going to try to explore new ways of making films. It really is possible to make films in different ways.
I am incapable of directing a film like 'Agneenath.' I can do only what I am good at, so I would have been the worst choice to direct it. It has aggression, action and an inherent violence in it - things I am not capable of directing in my films.
When I am shooting, I am inside the theatre, when I am in the editing room, I am inside the theatre. I always try to feel what they will feel. I see a film, not as a director, but as the audience. If I am entertained, they will be, too.
I've been looking for ways to audition more, because it also keeps me sharp and keeps my ambition at its firm edge. That's something that I'm actively engaged in conversations about now with my reps: What's out there that I can really either put myself on tape for, or meet with the director for and read for? How do we do that? We're now at the end of the Star Trek reboot trilogies and whether we are going to do another movie remains to be seen, and so I feel like I'm at the end of this cycle that began with me coming out of school and auditioning and building my way up.
What is meditation? It is not your character, it is not what you do. It is what you are. It is not the character, it is the consciousness that you bring to whatsoever you do. The doing is irrelevant. Whether you are doing it consciously or not is the question, whether moral or immoral. Are you alert? If you are alert, meditation happens. If you are not alert, you live in sleep.
I love creating. I am addicted to the drug of creation and creating things. I get a little depressed when I am struggling to find what I know is locked inside. If it's a lyric or something that is challenging me, I can be very depressed, but when it's like heaven opens up and it gives you a song, it's amazing. There's nothing else that I enjoy more probably.
It may seem that I am doing films in different languages, which of course I am, but more importantly, I am performing different characters and every character has so much to teach. It makes me happy that I am associated with so many film industries.
Things can be really empty in this world, and I don't just mean the music world. It can become a very meaningless place if you don't really understand: 'who am I? Why am I here? What am I doing?' To feel fulfilment and have a deeper level of understanding, personally, that is the most important thing.
Things can be really empty in this world, and I don't just mean the music world. It can become a very meaningless place if you don't really understand: Who am I? Why am I here? What am I doing? To feel fulfillment and have a deeper level of understanding, personally, that is the most important thing.
Hui and E'dawn have many talents, and I can learn a lot from them. But they just lack experience. When I am with them, I feel like I become very innocent, and it motivates me. I guess it's because I am too used to performing as a soloist, and things have become too comfortable hitting the stage alone.
I am grateful to theatre for making me what I am today. But it's not like theatre is my first love. I am equally attached to cinema, which is, actually, a child of theatre, since it borrows heavily from it.
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