A Quote by Kalki Koechlin
Theatre is more metaphorical where you have to be louder and larger than life, whereas film is more subtle and more real.
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I think there are shades of political songs; some are more subtle and can be more effective for being subtle, for being more metaphorical. I've written a lot of songs like that, where it's not really clear if it's a war song or a relationship song. The metaphor can be the most powerful thing of all, but sometimes you have to speak more clearly to more people, and I think this is one of those times.
Theatre is a concentrate of life as normal. Theatre is a purified version of real life, an extraction, an essence of human behaviour that is stranger and more tragic and more perfect than everything that is ordinary about me and you.
The cinema has done more for my spiritual life than the church. My ideas of fame, success and beauty all originate from the big screen. Whereas Christian religion is retreating everywhere and losing more and more influence; film has filled the vacuum and supports us with myths and action-controlling images.
What I love about the theatre is that it's always metaphorical. It's like going back to being a kid again, and we're all pretending in a room. Sometimes, when the pretending really works, I find it much, much more moving than something on film.
Life in the country teaches one that the really stimulating things are the quiet, natural things, and the really wearisome things are the noisy, unnatural things. It is more exciting to stand still than to dance. Silence is more eloquent than speech. Water is more stimulating than wine. Fresh air is more intoxicating than cigarette smoke. Sunlight is more subtle than electric light. The scent of grass is more luxurious than the most expensive perfume. The slow, simple observations of the peasant are more wise than the most sparkling epigrams of the latest wit.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
Theatre tends to be more metaphorical and intense, as you're locked in one room and focused on one thing. Television can hop around, and you need to invest in its naturalistic reality more. But I love writing both, precisely because they're so different.
As we build systems that are more and more complex, we make more and more subtle but very high-impact mistakes. As we use computers for more things and as we build more complex systems, this problem of unreliability and insecurity is actually getting worse, with no real sign of abating anytime soon.
Perhaps bacteria may tentatively be regarded as biochemical experiments; owing to their relatively small size and rapid growth, variations must arise much more frequently than in more differentiated forms of life, and they can in addition afford to occupy more precarious positions in natural economy than larger organisms with more exacting requirements.
The theatre starts every night at half past seven, and I like the rhythm of going to the theatre, parking the car, going to the stage door; I've grown up with all of that. I'd love to do more theatre - I mean, I shouldn't be telling the world that I can't remember lines any more, but I find it more and more difficult, so I don't know.
I love film and TV, the medium of them, just because it's such a smaller screen. It's much more precise. Ideally, I'd like to do maybe a film a year of some sort and use that to work more in the theatre because theatre really is my first love.
Mumbai is more film based and cosmopolitan. It consists of a mixed community, but I personally feel that Delhi is more sophisticated and enjoys theatre more.
I am not interested in things getting better; what I want is more: more human beings, more dreams, more history, more consciousness, more suffering, more joy, more disease, more agony, more rapture, more evolution, more life.
But nature is always more subtle, more intricate, more elegant than what we are able to imagine.
The job is not to succeed but fail more interesting than the last time—- in a more subtle fashion or in a more intriguing way.
There are more women editors than people realise. I think we're more able to keep our eye on what the film needs. Between men, sometimes it's a real ego battle, and that's very bad for the film.
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