A Quote by Kalki Koechlin
There is always going to be depth and layers to people and that's what interests me in a character: when there is some problem to overcome, when there is a complication to understand in a person.
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Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
It's often hard to determine, especially in early drafts, whether or not a story has a bona fide complication. Remember this: A complication must either illuminate, thwart, or alter what the character wants. A good complication puts emotional pressure on a character, promoting that character not only to act, but to act with purpose.If the circumstance does none of these things, then it's not a complication at all - it's a situation. This situation, or setup, might be interesting or even astonishing, but it gives the story no point of departure.
As a person with cerebral palsy who walks with crutches, people have the assumption that I've had to overcome a lot of obstacles in my life because of it, and to some degree, I have. However, the most difficult obstacle to overcome is other people's perception of who a person with a disability is.
What interests us is not the person who is pitying himself or who is sitting, stewing in their pain and their suffering. What interests us is the person who's overcome it, who's doing their best to move away from it.
All I can tell you is I'm going to be myself. I'm not the type of person that is going to develop into some character or come up with some phrase I will always say.
My only criteria while selecting roles is that it should be a lead part in an interesting story where the character has depth and layers.
I am looking for a character that connects to me on some level. It has to be about something, it has to have depth to it and it has to be about something. The story of the character and their relationship with the people and places around them appeal to me and are what I look for.
I have been misunderstood perhaps more than anyone else ever, but it has not affected me, for the simple reason that there is no desire to be understood. It is their problem if they don't understand, it is not my problem. If they misunderstand, it is their problem and their misery. I am not going to waste my sleep because millions of people are misunderstanding me.
When you first start off trying to solve a problem, the first solutions you come up with are very complex, and most people stop there. But if you keep going, and live with the problem and peel more layers of the onion off, you can often times arrive at some very elegant and simple solutions.
It's the texture of New York that people miss by filming elsewhere. There are layers and layers of character - even in the pavement - that you can't get anywhere else. And the speed that the people move. It's so different from other places.
People, I have discovered, are layers and layers of secrets. You believe you know them, that you understand them, but their motives are always hidden from you, buried in their own hearts. You will never know them, but sometimes you decide to trust them.
The person who lets them get you down, any kind of problem, is the person that fades out. So you've got to be strong enough; you don't like it, but you've got to be strong enough to accept what's going on and that you're going to fight it or whatever it takes to overcome this matter. That's the way I feel.
When you start looking at a problem and it seems really simple, you don't really understand the complexity of the problem. Then you get into the problem, and you see that it's really complicated, and you come up with all these convoluted solutions. That's sort of the middle, and that's where most people stop... But the really great person will keep on going and find the key, the underlying principle of the problem - and come up with an elegant, really beautiful solution that works.
They say that when it comes to the depth chart, it can change any day and that we dictate how the depth chart goes. If one person has a great day, he might be going with the 'ones.' If a person slips up a little bit, he might be going with the 'twos' and 'threes.'
I always make things worse than they are or create problems that aren't there. And going and doing some simple task becomes a problem. I start imagining problems that aren't there. What people are going to think, who's going to judge me and am I going to be good enough? Am I worthy?
There is a way that a younger person can accept the inevitable problem that they're going to die, whereas somebody a little bit older might be overcome.
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