A Quote by Kalki Koechlin

If you are a musician, you practise your instrument every day, but actors can't be on a set every day. Theatre is a way for me to keep practising my art form. — © Kalki Koechlin
If you are a musician, you practise your instrument every day, but actors can't be on a set every day. Theatre is a way for me to keep practising my art form.
Make-up are the first people the actors go to on set every day - they see you at your most vulnerable. Then they paint the character on you, they're integral to that transformation. It's such an intimate art form that you develop a really close relationship with your make-up artist.
Every day I practise my flute. I've been doing it for decades and every day I find something new that inspires me for all the rest that I do in my days.
To be on the set with the actors, with the location, every day changes; every day something can go wrong.
Only the mediocre are always at their best. If your standards are low, it is easy to meet those standards every single day, every single year. But if your standard is to be the best, there will be days when you fall short of that goal. It is okay to not win every game. The only problem would be if you allow a loss or a failure to change your standards. Keep your standards intact, keep the bar set high, and continue to try your very best every day to meet those standards. If you do that, you can always be proud of the work that you do.
I think theatre reminds us what we're doing as actors, because every night and every matinee day, you have an audience telling you what's working and what's not. And that's very good for us as actors to hone our skills.
Do one thing every day that scares you... Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own... Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
For any women trying to do comedy, I would suggest you do one thing every day towards your goal. First, you figure out what it is you want to accomplish. Don't be afraid to set a new goal every day, but every single day, do one thing towards your goal, and you will achieve it.
Every day of your life, you have information that enters your head, and that information informs your understanding of things, or shifts it, or changes it, or deepens it, or confuses you. Every day, every moment of every day - it's like this thing that happens.
I saw 'Get On Up' about a dozen times. I went every day. Every single day, I was standing outside when the movie theatre opened and bought my ticket. The theatre was usually empty. I live in a town that wasn't eager or very interested in a James Brown biopic, but I couldn't stop watching Boseman.
I have to read something positive every single day. I have to have faith that the day is unfolding in a way that is going to be useful to somebody else... For me, living every day in gratitude has been profound for me.
Theatre's great. It's such an act of faith. It's a wonderful art form where you suspend disbelief for a couple of hours. It's a lovely art form because the actors and the audience are alive and in the room at the same time together. That's why I love the theatre.
What would it be like if you lived each day, each breath, as a work of art in progress? Imagine that you are a masterpiece unfolding each second of every day, a work of art taking form with every breath.
I don't practise it that much, maybe two or three times a week. It's a natural skill that I have, to hit long balls, so I don't need to practise it every day.
There is no way to success in art but to take off your coat, grind paint, and work like a digger on the railroad, all day and every day.
In the build-up to a race I begin practising two days beforehand with two other team members. We have an hour and a half practise run together. Then on the next day we have another practise in two separate hour long sessions. On the actual day of competition we do a warm-up run in the car before the race.
Even if the play is great, every day in theatre you have to question everything because the audience is new every day. I love that.
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