A Quote by Kalup Linzy
I realized that was what was happening in my work already. I think that's where, as artists, we begin to master our craft: when we're able to step back and understand things.
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I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?
Worship of The Lotus Feet of The Spiritual Master: There is no work as auspicious as serving the spiritual master. Of all worship, the worship of the Supreme Personality of Godhead is the greatest but the worship of the lotus feet of the spiritual master is even greater than the worship of the Supreme Personality of Godhead. Unless this is firmly realized we cannot understand what saintly association means, we cannot understand what the shelter of a spiritual master means, we cannot understand that we are dependent and he is our maintainer.
You're able to make a real difference. If a woman's able to step away financially, she's able to begin to do all the other work.
Fear is the parent of cruelty, and therefore it is no wonder if cruelty and religion have gone hand-in-hand. It is because fear is at the basis of those two things. In this world we can now begin a little to understand things, and a little to master them by the help of science, which has forced its way step by step against the Christian religion, against the churches, and against the opposition of all the old precepts.
It's funny how you can't ask difficult questions in a familiar place, how you have to stand back a few feet and see things in a new way before you realize nothing that is happening to you is normal. The trouble with you and me is we are used to what is happening to us. We grew into our lives like a kernel beneath the earth, never able to process the enigma of our composition...Nothing is normal. It is all rather odd, isn't it, our eyes in our heads, our hands with five fingers, the capacity to understand beauty, to feel love, to feel pain.
So ultimately, it's idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.
When people begin to understand that whatever they think and feel happens, then the psychic phenomena begin to rise, which is what's happening now.
I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.
One of the most productive things that we ever do in our lives is to think. To be able to think is to be able to decide, to judge, to have opinions and convictions, and to entertain a point of view. To be able to think is to be able to love, to believe, to work, to originate, and to organize.
You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
You know, so often we think we have each step figured out. And then when one thing doesn't go our way, we begin to question, we being to fear what our next step will be.
I think what traditional studios probably don't understand is that it's a genuine advancement in the actor's tradition. And you know, the tradition and craft of acting. And it's the latest step. You know, we, we tend to find forms of delivering stories that fit our times.
Artists react to tragedy by doing something both as a way for us as artists to process our pain and our grief and our loss and as a way to give something back and memorialize people that are lost. That always makes it far harder to compartmentalize things. As a species, should never get used to tragedy and we should do everything we can to prevent it from happening and to celebrate people loving people. We should all be lucky enough to be loved and to love someone in return. That's what this is about.
Life throws you curveballs and there are things that happen - you don't understand why they happened at the time. But then you step back and understand you're a better fighter and competitor because of the things that happened.
And at that point, I think we all realized it was something tremendously tragic, probably a terrorist attack, and the next step was to go down to our command center and get things going.
We swung over the hills and over the town and back again, and I saw how a man can be master of a craft, and how a craft can be master of an element. I saw the alchemy of perspective reduce my world, and all my other life, to grains in a cup. I learned to watch, to put my trust in other hands than mine. And I learned to wander. I learned what every dreaming child needs to know -- that no horizon is so far that you cannot get above it or beyond it.
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