A Quote by Kalup Linzy

I realized [using my own voice] is what creates the performance in the performance art and that's what helps creates the distance for the viewers, like the distance that I get when I step back.
Most people move actually into high performance in a crisis because that creates the kind of focus that creates high performance.
From a distance the world looks blue and green, and the snow-capped mountains white. From a distance the ocean meets the stream, and the eagle takes to flight. From a distance, there is harmony, and it echoes through the land. It's the voice of hope, it's the voice of peace, it's the voice of every man
I was cocky and arrogant when I was younger. I thought that if I delivered a good performance, and put my best foot forward, that would be enough to get people's attention. So in my naivety, I cut my legs off at the knees, because I didn't realize that oftentimes it doesn't matter about the performance... it's the media that creates stars.
Dreams create desire. Desire creates determination. Determination creates distance between you and failure.
It's like why people read scary books or go see scary movies. Because it creates a distance. They're scared, but they're not going to get hurt.
I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance.
It is the distance between us that creates language.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
Performance enhancing drugs are banned in the Olympics. OK, we can swing with that. But performance 'debilitating' drugs should not be banned. Smoke a joint and win the 100 metres, fair play for you. That's pretty good. Unless someone's dangling a Mars bar off in the distance.
I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
My take is that acting is acting. A performance is a performance. With performance capture, if you don't get the performance on the day, you can't enhance the performance.
I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.
There is really no fiction or non-fiction; there is only narrative. One mode of perception has no greater claim on the truth than the other; that the distance has perhaps to do with distance - narrative distance - from the characters; it has to do with the kind of voice that is talking, but it certainly hasn't to do with the common distribution between fact and imagination.
I think humans have always felt watched back by whatever is out there flickering in the distance. What excites me is what the imagination creates, not simply in explanation of what is there but also to explain or justify the feeling of awe and attachment that the heavens inspire.
Right now anything made for the iPad is like performance art. I'm not interested in performance art. Comics are too hard to make to be done for such a passing blip. When it stabilizes, I'll look at it.
sad things are beautiful only from a distance therefore you just want to get away from them from a distance of one hundred and thirty years ....i'm going to distance myself until the world is beautiful
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