A Quote by Kalyani Priyadarshan

I would be glad to share the screen with anyone as long as I love my character and the story. — © Kalyani Priyadarshan
I would be glad to share the screen with anyone as long as I love my character and the story.
I would love to share screen with Aamir as we share a great comfort level. And ideally it should be a love story as it would be easy for us to romance on screen.
I would love to share the screen with Meryl Streep, wouldn't we all? I would love to work with Spielberg and Scorsese; that would be lovely. I'm also a huge fan of Johnny Depp and the way he creates his characters, so that would be fun. I mean, any of the greats, really.
I would love to do a love story or a socially relevant drama. Something on the lines of Netflix originals. I would love to explore the big screen, too.
I would love to share screen space with Pawan Kalyan.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
Once you have love as a motivator in a story, your character is free to do anything. Once you say the character is in love, he can do the craziest thing that nobody would do who's not in love. Once you're in love, you have that excuse to go and do whatever you want.
Indian audiences these days aren't really interested in watching a character on screen evolve. They don't want to see a young girl evolve into being a partner and enter motherhood - they are only really concerned about the story. As long as the story is getting interesting with every passing episode, they want more.
The silver screen offers much in the way of over-the-top rom-coms, long lost love, saddening love stories and heart warming optimism that can spark feelings in anyone.
It's always nice when someone says that they don't realize it's me on screen, but it would be strange to enter a one story while thinking of another character I do, which is completely different.
I'm glad I got a chance to work with Demi Moore and Mark Duplass. They're so humble and down to earth, and it is overwhelming to share screen space with such mind-boggling actors.
I don't know if that's the best story for BoJack, long-term. I do love the world, and I love playing around in it and it feels like an elastic enough world that, any story I want to tell, I can tell about these characters in this world. I can talk about parents and children, husbands and wives, the troops, or Hollywood. It does feel like an endless playground at this point, it would be a shame if we cut it off early for fear of repeating the same things over and over again. But I am looking to move the story and character somewhat.
I am thrilled that DDLJ has beaten all records, Shah Rukh Khan and I share a close friendship that translates onto the screen. We have such fun working together. Shah Rukh has a great sense of humour. He invests incredible energy into his acting. He reads a lot. I share all these with him. I love books. I love his style of working and abundant refinement. I love him to death and would like to work with him again.
It's always a long goddamn story. Every time you ask anyone anything really important, it's a long story.
There is an inalienable law. Whenever a character on screen pities himself, the audience stops pitying him. They will cry so long as the character doesn't.
I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
Most writers have no idea how to make a film. It's a totally different skill set. Nor is it just to translate exactly what's on the page directly on to the screen - because that would be terrible. It would be five hours long, and the structure would be a mess. But the writers know the characters and the story.
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