A Quote by Kamasi Washington

Hip-hop and jazz have always been intertwined. Even the G-funk thing. You listen to 'The Chronic,' there's flute solos and everything. It's always been there. — © Kamasi Washington
Hip-hop and jazz have always been intertwined. Even the G-funk thing. You listen to 'The Chronic,' there's flute solos and everything. It's always been there.
For me jazz is kind of an extension of hip-hop. Kind of the sad thing is that a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.
I've been involved in a lot of different kinds of projects. I've been on straight hip hop tours. I've been on underground rock tours. I've been on multimillion selling rock shows. I've been in the jam band thing, and both commercial and underground hip hop. Very few people listen to one kind of music.
The thing about hip-hop producers, and the thing about hip-hop musicians, is that we listen to everything. And we're inspired by everything. I'd say even more so than any other genre of music.
Kind of the sad thing is that - it's still true - a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.
The truth is hip hop has always complemented jazz and vice versa, but there's always been this communication barrier that exists based on music to lyrics.
I feel like Hip Hop culture has always been about [fashion]...it started in the street so it has always been a thing of the streets to be first.
I think it's hard to put a finger on my music. My music has always been an amalgamation of everything I listen to, which includes everything and anything under the sun. Hip-hop to country to R&B to pop, all the things I'm inspired by find a way into what I do.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
I listen to a lot of different music. I love hip-hop. I'm a big underground rap fan. I listen to the likes of J. Cole. Lately, I've also been getting into techno house music. And I've been on an Eighties retro kick, and I've even been experimenting with some rock.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
I've always been able to do sprinkles of hip-hop here and there in all my albums, but I'm not sure how my fans are gonna feel about coming out first with something that's so hip-hop.
I mostly listen to very popular songs. But I'm a huge fan of Stevie Wonder, and I love jazz - Glenn Fredly, Diah Lestari - so 80% jazz, 20% mixed with everything - disco, hip hop.
I like hip-hop personally. It is a genre I am very attached to and have been listening to all my life. But I have always engaged with foreign artistes, never with mainstream Indian hip-hop rap space.
Jay-Z, for a lot of reasons, will always be my favorite. But actually, in terms of what I listen to, it bends towards hip-hop, but I like everything. The only thing I don't really love is country, but everything else I'm a huge fan of.
When I was a kid, you listened to a certain genre. Now it's like, "I love indie rock, I love hip-hop, jazz, funk." Also, we knew it couldn't be the same thing each year.
This site uses cookies to ensure you get the best experience. More info...
Got it!