A Quote by Kameron Hurley
Novel writing, like so many things in life, is an iterative process. You come at it again and again, working at it like you would a piece of pottery or a stone sculpture, chipping away the parts that don't make sense, smoothing over the rough edges.
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Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you're finished, you have a sculpture. You know that there's something in there, but you're not sure exactly what it is until you find it.
I was a lot dumber when I was writing the novel. I felt like worse of a writer because I wrote many of the short stories in one sitting or over maybe three days, and they didn't change that much. There weren't many, many drafts. That made me feel semi-brilliant and part of a magical process. Writing the novel wasn't like that. I would come home every day from my office and say, "Well, I still really like the story, I just wish it was better written." At that point, I didn't realize I was writing a first draft. And the first draft was the hardest part.
I often wonder: suppose we could begin life over again, knowing what we were doing? Suppose we could use one life, already ended, as a sort of rough draft for another? I think that every one of us would try, more than anything else, not to repeat himself, at the very least he would rearrange his manner of life, he would make sure of rooms like these, with flowers and light ... I have a wife and two daughters, my wife's health is delicate and so on and so on, and if I had to begin life all over again I would not marry. ... No, no!
I naively thought I would quit television writing, move up to Seattle, my novel would come out, and then I'd have a novel writing career, and so I found myself really stuck in this very poisonous self-pitying state and felt like I'd never write again. And I blamed Seattle for that.
I feel like the job in editing is to let the movie tell you what it is. So again, it's like sculpture. You just start taking away, you add a nose here, you cut off, like, the side of the cheek over here in the crease, and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.
So, it's a continual process of trial and error and then I find things and I throw it out and start again, but I keep writing it over again.
When you're writing a screenplay, it's like you're dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it.
I certainly spent many years in my early life chasing all over the globe for meaning and purpose. I'd feel like I'd found it, then it would fade away again.
Writing is an exercise in sculpture, chipping away at the rock until you find the nose.
Sometimes I say working on a story in a writers' room is like saying the same word over and over and over again until it doesn't make sense anymore. Like, you say it until you don't know what you're saying.
Slowly, painstakingly, like ants, men would make their paths and civilization and their wars once again, only to have it wash away again.
I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.
Being a mother is a little like 'Groundhog's Day.' It's getting out of bed and doing the exact same things again and again and yet again - and it's watching it all get undone again and again and yet again. It's humbling, monotonous, mind-numbing, and solitary.
For like a year, even after I retired, my ear would just bleed. There was just some scar tissue on it that tore open so many times that it just started bleeding all the time. It's rough on the wife, she has to keep washing the sheets again and again.
Nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do.
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