A Quote by Kamila Shamsie
There’s a ghost of a dream that you don’t even try to shake free off because you’re too in love with the way she haunts you.
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Sometimes, upon waking, the residual dream can be more appealing that reality, and one is reluctant to give it up. For a while, you feel like a ghost -- Not fully materialized, and unable to manipulate your surroundings. Or else, it is the dream that haunts you. You wait with the promise of the next dream.
She often spoke to falling seeds and said, "Ah hope you fall on soft ground," because she had heard seeds saying that to each other as they passed. The familiar people and things had failed her so she hung over the gate and looked up the road towards way off. She knew now that marriage did not make love. Janie's first dream was dead, so she became a woman.
I loved her more than she loved me, that was the problem. A basic imbalance. Relationships like that never last, however hard you try. And now she's pregnant and in love with a man who'll never love her the way she loves him. It's a series of vicious circles, and the only way to stop it is to find someone who loves you the same. No power struggle. No insecurities. Just friendship. Because you can never be friends with someone if you love them too much.
Someday no one will remember that she ever existed, I wrote in my notebook, and then, or that I did. Because memories fall apart, too. And then you're left with nothing, left not even with a ghost but with its shadow. In the beginning, she had haunted me, haunted my dreams, but even now, just weeks later, she was slipping away, falling apart in my memory and everyone else's, dying again.
I am free, you see," she said, "to love or to withhold love. Love and dependence need no longer be the same thing to me. I am free to love. that is why I love you and it is the way I love you. If you have come here, Kit, because you think you owe me something, because you believe I might crumble without your protection, then go away again with my blessing and find happiness with someone else." "I love you," he said again.
When it's a really dark emotional scene, you have to make the effort to shake it off, at the end of the day, before you go home to your kids and try to be a normal human being. You definitely want to make that effort to shake it off.
I love ghost stories. I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories, completely terrified but absolutely loved them.
Ain't all buttons and charts, little albatross. Know what the first rule of flying is? Well I s'pose you do, since you already know what I'm 'bout to say. I do. But I like to hear you say it. Love. Can know all the math in the 'verse but take a boat in the air that you don't love? She'll shake you off just as sure as a turn in the worlds. Love keeps her in the air when she oughta fall down...tell you she's hurtin' 'fore she keens...makes her a home.
She's super sexy everybody wanna know bout her and the one that everybody want, but no one's ever got her. Because the way she get it in all of the men, even the women all try, all try.
She could not ignore life. She had to live it and it was too brutal, too hostile, for her even to try to gloss over its harshness with a smile
Stalking the Angel [Joe]"I could off anybody in this place five times over." [Elvis]"Could you off someone and get away with you here?" [Joe]Head shake. "I'm too good even for me.
I don't believe in regretting - one should try to move on. My mum was good at that. She was deeply in love with my father, and he died when I was nine. She remarried, and her second husband died, too. I saw the grieving process she went through. My mother had this way of moving on. It was a fine trait.
Over and over again, stories in women's magazines insist that women can know fulfillment only at the moment of giving birth to a child. They deny the years when she can no longer look forward to giving birth, even if she repeats the act over and over again. In the feminine mystique, there is no other way for a woman to dream of creation or of the future. There is no other way she can even dream about herself, except as her children's mother, her husband's wife.
In the 1970s and early '80s, Shanghai was quiet, cautious, a ghost of a once-great city - and yet physically, little was changed from its glittering heyday. When visiting, I enjoyed reading books on local history and used my time off to scope out the former haunts of gangsters and jazzmen.
She sits in the driveway, freezing, for thirty-six minutes. Arguing with herself. Because she thinks she's in love with him too. And there are two ways she can be a fool in love right now. She chooses the harder one. And knocks on the door.
But even as the fear racks my body, it soothes me, comforts me. Soldiers who get washed away in a rush of adrenaline don't survive. In war, fear is the woman your mother warned you about. You knew she was no good for you, but you couldn't shake her. You had to find a way to get along, because she wasn't going anywhere.
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