A Quote by Kamla Persad-Bissessar

When I was travelling in Rajasthan people were waving hands, and it felt like I was visiting my own constituency. — © Kamla Persad-Bissessar
When I was travelling in Rajasthan people were waving hands, and it felt like I was visiting my own constituency.
The morning is full of storm in the heart of summer. The clouds travel like white handkerchiefs of goodbye, the wind, travelling, waving them in its hands. The numberless heart of the wind beating above our loving silence. Orchestral and divine, resounding among the trees like a language full of wars and songs.
We intend to follow one strategy: that is to reach out to each and every resident in the constituency. We do not believe in just waving to the people from cars.
When we were travelling in different countries I felt like I was jetlagged eight months of the year.
People turn up at my shows with black hearts on their knuckles, waving their hands in the air like flags.
Ethiopia always has a special place in my imagination and the prospect of visiting Ethiopia attracted me more strongly than a trip to France, England, and America combined. I felt I would be visiting my own genesis, unearthing the roots of what made me an African.
Human beings thought with their hands. It was their hands that were the answer of curiosity, that felt and pinched and turned and lifted and hefted. There were animals that had brains of respectable size, but they had no hands and that made all the difference.
My mother told me, 'Son, nobody else but God knows.' And that's what I'm about - reaching out to the people, crying with them, giving them hope. Visiting the hospital, visiting the kids with cancer, visiting the adults, and stuff like that. That's what I do.
I didn't know how to explain what I meant; sociopathy wasn't just being emotionally deaf, it was being emotionally mute, too. I felt like the characters on our muted TV, waving their hands and screaming and never saying a word out loud.
London was the Olympics that I was most nervous about. From coming into the venue and stepping on to the mat, people were supporting with 'Saori' banners and waving the Japanese flag, so even though it was London, I felt much more like fighting at home that way, which was really inspiring.
Whenever people ask me: 'Why didn't you get up when the bus driver asked you?' I say it felt as though Harriet Tubman's hands were pushing me down on one shoulder and Sojourner Truth's hands were pushing me down on the other shoulder. I felt inspired by these women because my teacher taught us about them in so much detail.
Rajasthan is a place I visit very often. My grandparents live in the village called Kulhariyon Ka Baas, and I am originally from Rajasthan.
Some flag waving is good, a lot of flag waving is tolerable, incessant flag waving is crazy and dangerous and easily manipulated by the war party to get people bubbling at the mouth in fear and rage.
When I started making my own music I was listening to people like Erykah Badu and Elliott Smith. I think I always gravitated towards slightly more understated voices because it felt like I could really connect with what they were saying. It felt more like a conversation.
The ride to orbit was impressive, as it always is. But once I got on board the space station, it really felt like I was visiting an old home; it felt very comfortable.
We did 10 years of working and travelling constantly, and we were just knackered. I thought: 'I've got to take a break.' I felt like I was going mad. I decided to move to Cornwall.
People talk about the 1960s in a nostalgic way, but to me it was terrifying. People were getting assassinated. There was Vietnam. There were race riots. It felt like everything was going to get blown up sky-high. It didn’t feel like flower power. It felt like Armageddon.
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