A Quote by Kandi Burruss

As an artist, you're used to being in the public eye. — © Kandi Burruss
As an artist, you're used to being in the public eye.
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
Being in the public eye is easy for me because I come from a family of four generations of teachers, so I'm used to being around books and discussions. But to write, I very much need to be alone.
When you're used to being in the public eye, if you've got a disease, you've got to own up to it. It's about being about it, not running from it.
Now the expectation is that, once the public decides that the artist is gentrified, the public demands that the artist stop growing. And [the public] actually puts all their energy into reasserting or re-establishing what the artist has long ago left behind. Because that's what they want. The source of creativity, the gift that's been given, be damned.
I have to give credit to my trainer. He definitely kept me motivated in staying in shape... I've always been naturally curvy, but of course I had to get used to being in the public eye.
In a painting, you can't make out whether the artist painted the left eye before the right eye. In Chinese calligraphy, you can see the progression of the artist's stroke.
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the '70s on that being a public figure presents another aspect of responsibility.
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the 70s on that being a public figure presents another aspect of responsibility.
For Sabina, living in truth, lying neither to ourselves nor to others, was possible only away from the public: the moment someone keeps an eye on what we do, we involuntarily make allowances for that eye, and nothing we do is truthful. Having a public, keeping a public in mind, means living in lies.
As an artist, you know as a person in the public eye, period, you kind of have a responsibility to the younger kids that are watching and emulating what you do.
There used to be rather serious firewalls between the artist and the buying public - the gallery, the publisher. And technology demolishes that wall and basically says, 'Self-promote or die.' And that is a bad head for any sort of artist to be forced into.
It's really important for women in the public eye to be open - these pop stars who don't look, behave, speak like real women - that's not fair on women. Being real, honest, authentic - too many women in the public eye are afraid to be authentic because they are afraid they will be judged.
You have celebrities who are pushed to the brink of a public meltdown, and so the public thinks that every person in the public eye has dirty secrets that they're keeping, or isn't what they seem, or is masking it and faking sincerity, faking authenticity, faking being surprised at award shows when you win a Grammy.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
The artist who is after success lets himself be influenced by the public. Generally such an artist contributes nothing new, for the public acclaims only what it already knows, what it recognizes.
There's a difference between being a star and an actor. If you feed off from being in the public eye, this is the unfortunate flipside to it.
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