A Quote by Kandi Burruss
You get a different respect when you can handle things on the behind the scenes end as well as in front of the camera or in front of the mic.
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I'm so into making music and being behind the scenes. I'm such a visionary person that I don't see myself being the person in front of the camera or the person in front of the mic.
There will be a time very shortly that I just might not be in front of the camera at all, and I might just be behind the scenes. I love doing television, though. I don't necessarily love being in front of the camera.
I'm beginning to think that I like the behind-the-scenes work as much as I do in front of the camera as I get a little bit older.
We never want to see anyone go in front of the camera or behind the mic without union protection.
I think it's probably safe to say that continuing our onscreen relationship in front of the camera is probably not happening. I expect Adam may well pursue things in front of the camera, but I'm most likely not. It's not who I am.
In front of the camera and in front of the lens, there's no lawsuits, there's no agent, and there's most frequently no time limits... There's a longevity that's kind of built into it. I spend most of my time behind the scenes, and when it is time to perform, I'm genuinely delighted to do it.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
In the car and in front of the camera I tend to be very calm but behind the scenes I can get fired up and passionate, I just don't see the need to shout my mouth off in public.
I've always viewed myself as a behind-the-scenes person rather than in front of the camera.
We have African-Americans and black people getting behind the scenes more and more, we get true black images in television and film...because we have black people behind them. They can tell stories from those points of view and bring to life those characters who have yet to be shown. As long as we have people behind the camera just as much as in front of the camera doing the work, then we'll always be good.
One of the great advantages of my time spent in movies and in basically every role possible, both in front of the camera and behind the camera, that I've gotten to see all these different ways that people work and the way movies are constructed from the inside out, from beginning to end.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
Not everybody gonna be in front of the camera forever, man. That's impossible. Don't get me wrong, I love doing that. But behind the scenes and the power is what I like. I like being in control. And maybe someday I'd be a showrunner.
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
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