A Quote by Kane Brown
I was kind of nervous to put 'Learning' out: it's a lot different. That's who I am. I'm going to push the boundaries.
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I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.
Every year, I push myself to do something different - and push the boundaries a little bit more.
I've come to a point where I am less nervous when I am supposed to start a film. I am still super nervous on the day but I've lost a lot of my fear about what kind of perception people have about my film.
I am proud to be part of a species where a subset of its members willingly put their lives at risk to push the boundaries of our existence.
Ideally, I'd really like to put my own stamp on things, but it takes years, you know, and you're constantly learning and studying and falling in and out with your instrument, learning different approaches and different attacks.
I know what we're going to do as PWR BTTM. We're going to put a new record out; we're going to go on tour a lot, and we're going to do cool stuff. We're going to try to be kind to our friends and family and loved ones. And we're going to look cute.
In film, there's this kind of constant fear that you're going to be doing too much. That may be an unfounded fear because I love sizable performances on film, especially when they're by performers who push the boundaries of what people deem the right kind of size.
When I look for the next project, it's always about, 'Is it going to push me out of my comfort zone? Am I doing something different? Am I working with people who are passionate about what they're doing?' At the end of the day, if I'm going to be bored on set, then I'm not gonna be happy.
I'm learning to cope and not deny my own success, but I still think it's not happening a lot. I get nervous, and I am capable of doing something to blow it on purpose. A lot of actors have that problem.
I'm always nervous about going home, just as I am nervous about rereading books that have meant a lot to me.
You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.
We always push the boundaries on the styles we put on a record.
The main thing going on in the 20th century is a dissolving of boundaries, all the boundaries that historical civilization put in place.
There are a lot of different things we have in the tool box in every different fight, but depending on the matchup we decide what we are going to take out and kind of play with.
When you're a producer, you don't feel comfortable trying to push a vocalist when you first start out. But for me, I like to push the boundaries of what my collaborators are comfortable with.
As a performer, I want to push my boundaries and try different roles.
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