A Quote by Kane Brown

We lived in eight or nine different houses and six or seven different apartments growing up. — © Kane Brown
We lived in eight or nine different houses and six or seven different apartments growing up.
During the six years I spent writing my novel 'The Incarnations,' I lived in seven cities in four countries. I moved in and out of 17 different houses and flats in Beijing, Seoul, Colorado, Boston, Leeds, Washington D.C., London and Shenzhen.
My mother married again after my father's death - another Royal Air Force officer, and a very different kind of man. We went to Australia when I was eight or nine. We lived there for a couple of years, and then came back and lived in North Wales for the whole of my teenage years... I learned how to write poems quite a lot. I just had a good time reading and reading and reading. So that's where I did most of my growing up.
We moved around a ton when I was a kid. I think we lived in 9 different houses before I was 15 - we moved from the city back to the suburbs; different suburbs, different houses, all over the place.
In the late '60s, I was seven, eight, nine years old, and what was going on in the news at that time that really excited a seven, eight, nine year old boy was the Space Race.
I love songs with, like, six or seven or eight different things going on at once, and that's just me.
It's entirely different waking up in the morning and praying. I read aloud six or seven different devotional books, one of which is the Bible and ask the Lord to be with me that day.
All that five thousand kids lived in those five thousand houses, owned by guys that got off the train. The houses looked so much alike that, time and time again, the kids went home by mistake to different houses and different families. Nobody ever noticed.
When I was growing up, traveling was my family's modus operandi. Between the ages of 4 and 18, I attended six different schools on three different continents.
From age six to 12, I lived in seven different countries, moving from one refugee camp to another, hoping we would be wanted.
I worked with dance a lot, for each character - different ways I could move my body, different music. It's the most fun thing in the world, because I love each and every one of the characters and I'd be happy just to play one of them, but the fact that I get to play upwards of six, seven, eight or whatever, it's a total dream.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
In different hours, a man represents each of several of his ancestors, as if there were seven or eight of us rolled up in each man's skin, - seven or eight ancestors at least, and they constitute the variety of notes for that new piece of music which his life is.
I have different shoes for different types of climbing, six or seven different shoes that I alternate.
By the time I was three years old, I'd lived at 10 different addresses in six different countries.
One, two, three four five, All is well I am alive, Six,seven,eight nine ten, All is well, no whining then!
And yeah, my handicap was down to a 10 when we were at the thick of it. I trained for six or seven months, golfing every day for six hours, seven days a week, with eight trainers. It was intense.
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