A Quote by Kangana Ranaut
While choosing a fashion show, I take into consideration the designer and the collection. Then only I said yes to do a show.
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The best part about DJing a fashion show after-party or event is being able to correlate the emotions of the collection with music, just as you would for a show.
A catwalk show is just how it's done; it's just what you do - it's central to the presentation of a collection. It will be a very brave designer who gives up the catwalk entirely in favour of a digital show.
Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.
Whatever you have in your show should be special, but not over the top to the point that it takes the focus away from the collection. After all, the clothes are the most important. But I don't see why I shouldn't do something that makes people smile: they are three weeks into fashion weeks, they are running all over the place, so there's no harm to coming to a show and being entertained. Of course, it has to work with the concept of the collection, it can be tricky but I know where to stop.
Fashion is also a form of art, and like every kind of art, it has its own way of expression. In other words, if a dress looks better on a thin girl, on a catwalk, during a very specific moment of time and space then it's represented as part of a "fashion Show". It is after all a "Show" and it has to be understood by people that it is a "show" and not real life.
I love clothes, but really I don't have that much to say about skirts. Before I was writing, I went to fashion shows only when the designer was a good friend and I was there to show support.
Show us your Christ, Lady, after this our exile, yes: but show Him to us also now, show Him to us here, while we are still wanderers.
We have to do what I would call anomalies: we have to look for strange things that show up once in a while. They don't show up all the time. We have to be scanning the horizon, and doing that, once in a while something will show up that makes a lot of sense, and then you act on it.
With the traditional six-month lead time on the delivery of international show content, designer collections can be outpaced by the so-called fast fashion chains. H&M, Topshop and Zara, or even Target and J. Crew, would have their versions for sale before the designer looks hit the stores.
My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.
I wanna thank MTV and the VMAs for choosing me to be a part of the show because, on this show, if you not an icon or upcomin' icon, you're not on the show, you know?
I think I was the first to show that a designer could be like a rock star, that people should love your fashion but also put your name together with your fashion.
If you've taken the job to be the stylist for a collection, then I think it's important for you to really listen to the designer and look at the board. Look at the wall, look at what the designer is interested in, and then move on to that. But the designer also must not lose sight of the reason for their point of view. Otherwise it won't come across.
The reason why I said yes to 'Sumit Sambhal Lega' was that this show is an official adaptation of the American series 'Everybody Loves Raymond,' which was a very popular show for nine years.
From a branding standpoint, the show represents only a fraction of our business, and the impact you actually have on the consumer is super, super tiny. I mean, what about the pre-collection? That is just as important as the show.
As the actors on the show we rarely get an opportunity to, as I said we get the scripts the night before but we have great producers on this show, so every once and a while matt or mike will say "I want to take the character in a different direction this season, what do you think about this?" and we do sort of get to add to it and feed it.
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