A Quote by Kangana Ranaut
I think the kind of films and roles I do takes a whole year... I think it is justified. At some point, we have to come to that place where we are equally paid. It is a small step... we are headed to that direction.
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At some point, the government expands into the private sphere so far that you live in a place with a whole lot less freedom. I didn't like that that was the direction of travel for our country, and decided to come to Washington to try and be a small part of bringing it back.
I think the Davis Cup has some untapped potential. It should be as prominent as the Grand Slams when it takes place. If you put it together with Fed Cup for an organized, nationalistic team competition taking place in a central location for two weeks, I think that would be beneficial from a fan interest stand point, from a media stand point and from a television stand point.
I think one of the reasons 'Gremlins' lasts and some other films don't is because I don't think the movie has a whole lot of dated things - sure, the cars, my hair, and few things here and there that date the movie - but it takes place in a sort of everytown, in a sorta non-specific time, and that gives the movie a timeless quality.
Many of us have road maps we envision for the course we think our lives should take. It's important to get headed in the right direction, but don't get so caught up in the concerns over your destination that you forget to delight in the scenery of each new day. Remember that some of the secret joys of living are not found by rushing from point A to point B, but by inventing some imaginary letters along the way.
There is this whole level of communication that I think our generation and younger is used to that does have this weird effect on people. It creates a familiarity that is possibly not always justified. I think that's interesting and I think it's nice to be able to incorporate it into films, because most of us can relate to that now.
I think if you talk to anybody who ever went from not having much to having enough to buy what they wanted, they're always happier. Now I get that whole '$75,000 a year is some kind of magic number,' but my experience is 'more is better, up to a point.' Then there's a point where it doesn't make any difference.
Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year.
I come from a very small place in Eastern Europe, so my whole life has kind of been one big fight to live my dream against all odds. But I think it's hard to be a human in general - we all have our own struggles and things to overcome. That's why it's so important to always have compassion.
Chicago is seen as everything that Trump detests, which I think kind of reflects really well on the city I think, because it's a mark of what a classy, cool, sort of place it is. You can't tame everyone in America, as much as these people would like to, into some kind of small-town, Southern community.
I think that's in my case everything I do takes so long because I don't have one direction. I'm just doing what I feel at the moment. It would probably be good, though, to have some direction.
I'm a shareholder in Microsoft Corp. of some size, and while I don't work for the place anymore, I think a lot about that investment, how - as an outsider - might I add value or not add value? Do I believe that things are headed in a good direction? So I wouldn't say I spend the majority of my time on that, but I spend some time on that as well.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
Nantucket is a place where some kind of magic happens, it's where I met my husband 32 years ago, and we've been together since the day we met. It's the kind of place that when people come here, they think they'll be happy. I see people falling in love or recovering from some conflict here, and I wanted to capture that.
The practice days, the walkthroughs, the bus rides - all those things you can't come back to. When you are getting into Year 15, you think about it. This thing is going to come to an end at some point.
Come to think of it, some of the most special films in my career were 'City Of Life' and 'Happy New Year.' For both these films, I stayed over a month in Dubai and just when I was thinking that I need one more film like that, that's when 'Kung Fu Yoga' happened.
I think it's a different kind of activism. Like, women shouldn't have to step into men's roles to be empowered. They should be able to step into themselves. So that's what I try to bring, that we shouldn't be thinking of it as menswear or womenswear; it should be clothing for people.
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