A Quote by Kano
You may think it's weird working with a cartoon band but there are a lot of characters in grime, especially since the early days.
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I have a personal Twitter for band purposes, but I don't use social media a lot. I fall in a weird age gap. I was on band message boards when I was 16, but I was on the early curve of Facebook. I did it for work when I worked in media, and I did it for the band, but I can't relate to the idea that you live your life online.
I can't look at TV without seeing something that's been influenced by rap. Even commercials for cereal. When I was small, I was a fan of cartoon characters - now the cartoon characters are rapping!
I think some days you should do a cartoon that is absolutely just for the laugh, and some days you should do a cartoon that just punches the reader right in the stomach. It's kind of nice to mix it up.
The Russians have been flying long duration crews since the early '70's. And in the early days, they've ended at least two missions early because of conflicts within the crew. So, they learned early on the importance of studying this and making sure you put the right crew together. Since we began our work together on the International Space station with the Russians in the early 2000's, NASA has started to learn the importance of this kind of work. And so, I think it's important work and we are not fully onboard and recognize it as important.
I think any branding for me is band-related. It's really weird to get used to the exposure, because I am a naturally introverted person, and I'm not exactly social. Occasionally I can get comfortable enough to talk, but I spend a lot of my days not talking, especially when I'm at home and not on tour.
Amazingly, much of the best cartoon work was done early on in the medium's history. The early cartoonists, with no path before them, produced work of such sophistication, wit, and beauty that it increasingly seems to me that cartoon evolution is working backward. Comic strips are moving toward a primordial goo rather than away from it . . . Not only can comics be more than we're getting today. but the comics already have been more than we're getting today.
You have to have a good script. You have to have compelling and complicated characters that you want to hang out with. Also, since you're going to be living with your crew and cast, I think it's really critical to create a great working environment, because we're spending so many days, so many hours together.
I've been working straight since 2003, so I might just want to take an improv or theater class. That excites me. I can't wait to do different characters - not necessarily the leading chick who gets the guy, but the weird, freaky cousin.
I just want a band and keep them working, people that I like and who I think a lot of. Once my band is happy, then I am happy.
I hate saying that youth is wasted on the young since it's so f**king stupid, but I think you realize if you're fortunate enough to realize what you have, you don't want to sleep as much or squander any time. It's weird, but early in your career you don't stop to smell the roses since you're too busy picking them.
Early on I was a lot more unsure of myself on stage. When our band The Decemberists was getting bigger audiences I was more concerned about alienating them, so I wasn't as willing to take risks and do weird stuff on stage. But once you get more accustomed to it you tend to have more fun with it and not worry about being pilloried for acting out. Whenever you play in front of 400 or 500 more people than you're used to it's always a weird, transitional period.
I think, because I've been working for a while, I've been working since I was ten, I had the fortune of reading a lot, a lot of scripts.
I've done movies that have mostly feminine characters and elements, and I think that both 'Heathers' and 'Truth About Cats and Dogs' are, in their own weird ways - they're different ends of the girl movie spectrum, but they're very much centered around the female characters, and I like those movies, and I like working with good actresses.
I don't think I've been bored, ever. I've always been working on two or three things at a time; whether it was in the early days, or whatever, I was always working on something.
Grime reminds me, if there is an echo, of sort of near enough like Liverpool in the very early Sixties. It's a lot of kids obsessed with music - obsessed with it.
What I think networks do so well are big, fun, accessible, invite everybody into the tent kinds of storytelling, akin to an early Spielberg movie or a Michael Crichton novel. That's not to say that there aren't scary parts 'cause there are, and that there aren't sexy parts and edgy parts, just like early Spielberg would have, but there's a lot of heart, a lot of emotion and complicated characters.
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