A Quote by Kano

Initially we were spitting lyrics over garage beats, in that eight-bar gap where there wasn't a vocal. But we were rebellious towards garage because they were rebellious towards us; a lot of their gatekeepers said grime was too violent.
Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.
When I first started writing lyrics and stuff, I was writing it to garage, and obviously garage kind of progressed to grime.
My mom was a garage sale person, save money. Come on in to the garage sale, you might find a shirt. She'd get in that garage sale and point stuff out to you. There's a good fork for a nickel. Yeah, that's beautiful. It's a little high. If it were three cents I'd snap it up.
The first comedians I became fascinated with were the Marx brothers. I couldn't get enough of them. Later in life, I thought, "Well, maybe it's because they were so rebellious and they were just flipping the bird to society and all the rules we're supposed to follow." They were saying that none of it is fair.
We [No Doubt] were making music that was the opposite of grunge and what was popular on the radio, and we were fine with that. And for a garage band, we were massive! We were already successful in our own minds.
The fifties were pretty rebellious, a pretty rebellious period, around that time. And it was preceding the whole zoot suit thing which I think really contributed to a lot of anxiety, to a lot of frustration, a lot of blaming. And it just like boom, it was very destructive for us as a people, that right away put us on like we had to defend ourselves on every level, every moment. We seemed like we always had to be on guard.
Why are the people rebellious? Because the rulers interfere too much. Therefore they are rebellious.
I was a woman and younger. I started spending a lot of time in the mall doing a lot of qualitative research and really watching what consumers were doing. Were they gravitating towards the sales racks, or were they looking at the new fashions? Were they there to shop, or were they there to socialize?
Startups were thriving in Los Angeles when Bill Hewlett and Dave Packard were closer to the nursery than they were the garage.
Buy our album, were Nirvana, a garage band from Seattle. Well, it sure beats raising cattle.
I'm the child of immigrants, and there was always a garage filled with food, just in case, and you kept money under the mattress. You were always prepared, because you couldn't trust that you were being taken care of. So that translated into my life into a lot of opportunity hoarding.
I was a rebellious child, a rebellious lover, a rebellious couturière - a real devil.
I'm not rebellious. I try to be rebellious, but I don't walk around being rebellious for no reason.
Some incubators, like Y Combinator and TechStars, were started by successful entrepreneurs wishing to help the next generation learn from their experiences. Other programs, such as Viterbi Startup Garage and Austin Technology Incubator, were created by universities to help young entrepreneurs bridge the knowledge gap from student to funded company.
The gap between vision and current reality is also a source of energy. If there were no gap, there would be no need for any action to move towards the vision. We call this gap creative tension.
Grime is a particular style of music. You've got electro, funk and garage; grime is its darker side. It's constantly evolving.
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