A Quote by Kano

I usually hate the whole process of pitching and making videos. I've had so many made and I only like about two of them. — © Kano
I usually hate the whole process of pitching and making videos. I've had so many made and I only like about two of them.
I'd wanted to be a director since I was five and had been making videos since I was a kid. Then YouTube came around during high school. I was making videos, and it was just a place to put them, like storage.
Pitching was about fooling people, manipulating them, making them believe in something that ultimately wasn't there. Great pitching was great lying.
Pitching. You're pitching yourself constantly which is probably why there are so many plays about sales. I think also it's like life.
I originally had opened the studio in New York to combine my two loves, music and design. And we created videos and packaging for many musicians that you know, and for even more that you've never heard of. As I realized, just like with many, many things in my life that I actually love, I adapt to it. And I get, over time, bored by them.
You don't have to take my word for it, obviously, but in making 1,000 videos, 98 per cent of them I lost money on. So I know a thing or two about staying true and rising above the money. Because if I was for the money I would be someone who'd put up Coca Cola in my videos left and right.
Them white people made hate. They made hate just like they had a formula for it and followed that formula down to the last exact gallon of misery put in. Well ... that's what they made and that's what they got.
I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.
There was a long stretch of time where I was making these videos, and everyone just thought I was a weirdo because I was making videos in my apartment instead of, like, going out, you know. And so I, like, it's hilarious now because everyone gets YouTube now. But, you know, in 2006, when I started making videos, like, no.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.
One of the most positive takeaways I've had from 'SNL' is when we'd make videos back in the day: we'd just write material as we were inspired, and so, in a given year, we'd only put out two or three videos.
Indifference to love or hate is sitting on the fence between the two, refusing to engage either one of them. Indifference, if it had its own way, would prefer to step away from the whole struggle between love and hate, to walk away from the only real game in the world and wallow in its own mediocrity.
I used to hate, with a capitol H, making videos. It was nothing but a chore. It was something you had to do to have your music accepted in the visual medium.
Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades.
The actor's tense, he's being taped and things are not falling naturally. That's what I hate about Boadway. I feel like I'm giving a whole lot for nothing. I like to capture things and hold them there and share them with the whole world.
We started about three years before YouTube existed, so we had to host all the videos on our own servers at a co-location facility. When we got so many hits on our first few videos, and we estimated our bandwidth bill was going to be about $12,000 a month, we knew that we had to establish a business model ASAP.
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