A Quote by Kano

I love the building and the history. I understand not many people like me have played there. But the aim is not to conform to that building. It's to bring the Albert Hall into my world.
Why are people so supportive of him [Osama bin Laden] in many countries? Hes been out in these countries for decades building roads, building schools, building infrastructure, building day care facilities, building health care facilities, and the people are extremely grateful.
The soul is a temple; and God is silently building it by night and by day. Precious thoughts are building it; disinterested love is building it; all-penetrating faith is building it.
When you build a beautiful building, people love it. And the most sustainable building in the world is the one that’s loved.
I have great people, smart people that are around me and we love the challenge. I guess it's like climbing a mountain or building a building. It's a challenge but you love every challenge that it brings or presents itself.
Democracy takes work. That's the thing we're really finding out, that, you know, in many ways, you know, the past two decades we've taken for granted all of the extraordinary achievements of the post-war generation. You know, building this global alliance structure that has kept the peace across the North Atlantic since World War II. Building all of these institutions, building all this remarkable technology. And people have privatized. You know, you can now, you don't have to go outdoors much, the whole world comes to you.
An old building is like a show. You smell the soul of a building. And the building tells you how to redo it.
I've played the Royal Albert Hall to 8,500 people, and there wasn't a nerve in my body.
Birmingham did a truly remarkable thing in building Symphony Hall, which is the finest concert hall in the U.K. and one of the best in the world. The city has supported music without putting on the brakes.
we still have the Chrysler Building and the Empire State Building and the Woolworth Building, but it just seems like part of the nature of New York, that it's always shifting.
There is a danger when every building has to look spectacular; to look like it is changing the world. I don't care how a building looks if it means something, not to architects, but to the people who use it.
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
At a time when too many people want to separate us by building walls, we here in Michigan are going to get back to building bridges together.
If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
Part of building a new nation means building a spirit of tolerance, love and respect amongst the people of this country.
I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.
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