A Quote by Kanye West
Well, if someone has got all the money in the world, they'd still want love.
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If someone says, 'Hey man, I love your album, it really got me through a breakup, but I downloaded it for free,' I'll be like, 'Good! That's good!' Maybe he didn't have the money for the album, but if he still listened to it, and it's an important part of his life, that's all I can ask for. I don't want his twenty bucks.
I love my job; I love the world that it is. But I don't want someone who is just in love with that world. I want to be with someone who is in love with me, warts and all.
I've got to love the film, not the money. Because I know what it's like not to have money - you still survive.
The allure of love is to have someone who knows you so well that you don't have to explain yourself. It is the promise of someone who cares enough about you to protect you against the world of strangers who do not wish you well.
If I buy a luxury gift for someone I love, it's got to be perfect. The product has to be in perfect condition from the company. If I'm going to buy a luxury watch or luxury car or clothing for someone I love, it's got to be perfect, and they've got to handle it perfectly. They have to pack it perfectly. I want the people that I love to have that great experience, because you're paying so much, you should have it perfect.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
If you've got the money, you need people to make money with your money. And if you have the talent, you can always merchandise your talent to someone who's got the money and make money. There's two pieces to it: talent and money.
He didn't want her; he wanted me. Well, you know how it is." Dalgliesh did know. This, after all, was the commonest, the most banal of personal tragedies. You loved someone. They didn't love you. Worse still, in defiance of their own best interests and to the destruction of your peace, they loved another. What would half the world's poets and novelists do without this universal tragicomedy?
Financially, I've done very well doing what I do. I've got plenty of money in the bank. I've got gigs with FOX doing analyst work, media work. The UFC has been very kind to me. Ultimately, however, I want to be world champion. I have to achieve that to validate my entire career.
You've got to sing like you don't need the money. You've got to love like you'll never get hurt. You've got to dance like there's nobody watching. You've got to come from the heart, if you want it to work.
When I got into the film world, I got sucked into the secular aspect of the entertainment field and I really drifted away from my faith. Its amazing...as successful as I was as an actor, and the money and the fame, there was still something missing.
You just have to be very humble if America has really worked for you like it has for me. Most of my friends are poor. Most of my siblings are poor. I see how hard it is just to get money unless you've got some incredible luck or work incredibly hard. I want everyone to do well. I wish 'Wayne's World' money on you!
I got a imam, I got a rabbi, I got a priest, I got a reverend - I got 'em all. But I don't want to be holier-than-thou. I want to help everybody and still get some (sex).
We've got minds and souls as well as hearts; ambition and talents as well as beauty and accomplishments; and we want to live and learn as well as love and be loved. I'm sick of being told that is all a woman is fit for! I won't have anything to do with love until I prove that I am something beside a housekeeper and a baby-tender!
As you grow and change, you become possibly someone else. You want to go back to your family of origin and say, ‘Do you still love me? Would you still love me if I become X or Y or Z? When will you stop loving me? Is this unconditional love and if not what are the conditions?’
But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.
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