I was on the junior team when I was a freshman, that’s how good I was. But I wasn’t on my eighth-grade team, because some coach - some Grammy, some reviewer, some fashion person, some blah blah blah - they’re all the same as that coach.
Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.
Some reviewer might be out there saying, obviously Edge of Darkness didn't come off because of the script, blah blah blah, but everybody has read the script, except the journalist attacking it.
I was telling some people in my dressing room some of my other stories, my psychotic break, and blah, blah, blah, and no, they kind of look at you and it's just not what they wanted to hear.
All men hear is blah, blah, blah, blah, SEX, blah, blah, blah, FOOD, blah, blah, blah, BEER.
My whole freshman year at Duke, it was drilled into me that nothing was given to you, and you have to earn it, and this is a dog-eat-dog world, and blah blah blah, and blah blah blah. And you buy into it, 100 percent. You end up loving it. That's the way it should be, right?
When 'American Slang' came out, everyone was like, 'This is the next big band in the world, and this is blah blah blah Bruce Springsteen Junior and blah blah blah,' and I was just like, 'I don't know what that means. I don't know. We'll see.'
MacPherson told me that my theorem can be viewed as blah blah blah Grothendieck blah blah blah, which makes it much more respectable.
I did 'Impromptu,' which was a thrill and a horror all at once - my first movie and having to do it in Paris, and my wife wrote it, and I had some difficulties on the set, blah, blah, blah.
Light our fire and protect us from the dark, blah blah, light our way and keep us toasty warm, the night is dark and full of terrors, save us from the scary things, and blah blah blah some more.
There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.
When you are in a team sometimes you hear 'Blah, blah, blah' complaining all the time about small things.
A very sad moment for me was when my parents separated - a lot of crying, 'It's tragic, we're now a broken family, blah blah blah blah blah' - although my psychological problems stopped. I actually felt healthier.
We know there's a clear gap in fairness. There just is in equity. In a lot of ways, economically, racially, blah, blah, blah. It just is. Not blaming anybody, it just is. So then you say, that can be interpreted and misinterpreted and used by a lot of different people. Some people run for office; some people try to gain influence. I generally believe all that's true. It's just, which one is the person who is accurately turning that dial and which one is using it as bullshit and lies? So, this is a tricky area to step into.
I think as we get older, as we get more mature and more experienced, we do realize it's like, 'blah, blah, blah,' oh there's the information I need, and then 'blah, blah, blah,' right? So we do this triage, I feel like, of what people say to us.
I don't want to be the guy who goes, 'Oh yeah, blah blah blah... everyone freaking well knows me.' Because that's not the case. Once in a while, someone will remember some silly thing I did and then they feel good. And they go, 'Oh, hey, Michael Bolton, I celebrate your whole catalog.' And I'm like, 'Great, great, I totally get it.'
I remember when in the early days of rock'n'roll, when everything sounded totally different, all amazing and blah blah blah blah blah. Now you can play me one second of any record from that time, and I'll say "1959" or "1961." I can hear precisely. It's like it has a huge date stamp on it.