A Quote by Kanye West

Both this song ['Black Skinhead'], 'I Am a God' and this song were made after Hedi Slimane didn't let me into his first Saint Laurent show. — © Kanye West
Both this song ['Black Skinhead'], 'I Am a God' and this song were made after Hedi Slimane didn't let me into his first Saint Laurent show.
Monsieur Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
Monsier Saint Laurent was pathologically shy, and he made the Saint Laurent woman in his own image. Like her, I am shy. And to protect myself, I adopted something of an androgynous look, just as his women did.
'Carbs' is the first song I wrote, and 'I Wanna Boi' is the second song I wrote. I am very proud of every song I made since then. Anything I'm not proud of I wouldn't show people.
I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.
Hedi Slimane told me I was boyish in his eyes. For him femininity and masculinity are the same thing, the difference is not so interesting, he said.
To me, Celine is unrivaled, and Hedi Slimane has such a multifaceted talent - from clothing design to photography. He creates this rare, incredible, and desirable world through his vision. I'm always inspired by his work.
'Something More' is a song that I wrote not necessarily about country radio, more so about a lot of songs that were being pitched to me. I wrote that after song after song after song was just the same song, just a different melody, so I was just looking for something more to put on the record.
'Soulfire' is a collection of stuff I've done in the past. Each song is an element of who I am: There's a doo-wop song on the album; a blues song, R&B and some jazz. For people who are going to be hearing me for the first time, it's an introduction to who I am.
Yves Saint Laurent was my first fashion show. I wore his tuxedo. And Helmut Newton was my first photographer, in 1973. I was really very lucky. I had an amazing career.
Yves Saint Laurent was the first person who made me feel like a woman.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh
'Black Skinhead' almost got deaded because it was too much like a soccer song.
'Kolaveri' is one song that people feel connected to. While I am bored of the song, it seems people aren't. I really can't say what worked. But I can definitely say that the song made me what I am today.
When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
Every song that is a Hopsin song, I 100 percent made it. Nobody helped me. There was no producer to say, 'Hey, put the beat like this... ' It was all me. If the song was wack, then the song was wack. If it's dope, it is what it is.
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