A Quote by Kapil Sharma

The problem with feature filmmaking is that it offers you this mirage of being able to achieve perfection, as the theory of it is that you have control of every part of the film, though in reality, it is as inexact as the next thing in your life.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
I feel as though, if you're able to control your dreams, you have more power and control over your mind, like you could reach more areas of your mind. Therefore, I feel like it creates the ability for you to achieve more things in reality.
Share your weaknesses. Share your hard moments. Share your real side. It'll either scare away every fake person in your life or it will inspire them to finally let go of that mirage called "perfection," which will open the doors to the most important relationships you'll ever be a part of.
I think the first thing I consider is whether I like the script. Once that is done, the next thing I look for is my part in the movie. Many a times you come across good offers, but the part they are offering might not be challenging. So, I don't take up that film.
As the world of independent feature filmmaking became increasingly commercialized by the mid-1990s, there was also a parallel, much more positive development: a resurgence in documentary filmmaking, thanks in part to the advent of the cheaper, lighter digital format that helped to offset the daunting costs of pursuing political aims through film.
I think the power of the short film is incredibly underrated. It is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them!
The way to achieve happiness is to try for perfection that is impossible to achieve, and spend the rest of your life trying to achieve it.
When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
I accept you can't achieve perfection all the time, but you can achieve perfection of intent, maybe. I don't think you can go into a relationship with anything other than the intention of it being perfect.
Choose to achieve perfection. We won't achieve it because perfection is impossible. But by pursuing perfection, we will achieve excellence.
I just really love producing. I love being able to be part of a solution. I love being able to create opportunities for other people to do what they do, to be part of the collaborative process that is filmmaking and television making.
Filmmaking in general is about feeling and not about theory. You need to know a lot of rules about filmmaking: character development, grammar, and all these thing, but then you use it instinctively. I ask myself this question all the time. I have no solid theory, I just do what I feel is right.
Filmmaking is a difficult process. There are the logistics of making a film. You have to do your part, and then change the entire thing around to do someone else's part. A lot of the magic is lost, in between that, and you have to figure out how to get it back.
We have little control over the circumstances of life. We can't control the weather or the economy, and we can't control what other people say about or do to us. There is only one area where we have control--we can rule the kingdom inside. The heart of every problem is the problem in the heart.
I seem to be able to go from part to part without being recognised, which I like. When I was little, I resented it with every fibre of my being when Ma was recognised. Another way of looking at celebrity, though, is it's being famous for being brilliant at something.
Doing ensembles and shows is one thing, but being able to front a feature is totally different. You can be a great actor, and supertalented, but there's something about carrying a feature that's unique.
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