A Quote by Kara DioGuardi

I don't go to record stores to look at my albums, but it's always a thrill to see them. — © Kara DioGuardi
I don't go to record stores to look at my albums, but it's always a thrill to see them.
My music has always been sort of in-between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
My music has always been sort of in between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
I have a beautiful collection of albums and try to frequent record stores.
Back in the day, when we'd get into a town, I would go in the phone book and look up record stores. Then I'd take a bus or a cab and check them out.
Record stores are the hippest libraries. In these tired ole days of homogenized entertainment, where so much of the art of our society is culminated, dumbed-down and mass produced, there is a shining jewel in the rise of the indy record stores. Going to a record shop for me is like a little treasure hunt no one can take you on but yourself. It's fun to look around and see the other shoppers too...totally entrenched in their own adventure, anticipating the reward of heart wrenching, soul filling, joy making music that might just be a bin or a flip away.
Radio Shack is meeting the fate of many other stores that were wildly popular in the twentieth century, including record stores, comic book stores, bookstores and video stores.
Despite the fact that Starbucks has grown to be a large company. We've always played music in our stores and has always acted as an opportunity to create a mood in our stores. And customers started asking, "What song are you playing and can I buy that?" . And we said "No." And that was kind of the catalyst for beginning to look at music. We started out with our own compilations and after the success of that. We had the courage to say, "Let's produce our own record." and the first record was with Ray Charles before he unfortunately passed away.
Record stores are the backbone of the recorded music culture. It's where we go to network, browse around, and find new songs to love. The stores whose staff live for music have spread the word about exciting new things faster and with more essence than either radio or the press. Any artist that doesn't support the wonderful ma and pa record stores across America is contributing to our own extinction.
In the past, people were going to record stores and buying albums or CDs. And the label was exposing their artist as much as possible and maybe getting them picked up by a major. Now I tell people to cut a good tune and have it up in the marketplace the next day. You better be prepared to give it away, and people will come pay to see you.
You used to make records, record companies sold them, and people went to record stores and bought them. That's all gone now.
Record stores keep the human social contact alive it brings people together. Without the independent record stores the community breaks down with everyone sitting in front of their computers
Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.
Look at Macklemore! Perfect comparison, we're two artists from the same city who both had meteoric rises at different periods. I probably sold more albums, because in that era you couldn't steal them; you had to go to a record store to buy them. But Macklemore had more power.
Look, you see those groups talkin' about negativity and anger, and they'd do that for two albums, and then you'd see them change up. I knew they couldn't do a Kurt Cobain on their whole career. You can't stay like that all the time. It's like when Hammer tried to go gangster. You can't be something that you're not.
Once I got into punk rock, I started mail-ordering albums, because a lot of the record stores in my area didn't carry the punk bands from England or Sweden or Chicago or Los Angeles
I never did albums fully at DFA; I always would go someplace else so I wasn't making a record in my office, basically.
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