A Quote by Kara DioGuardi

I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it. — © Kara DioGuardi
I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
Artists don't always know. Almost every song I ever recorded that was a hit at the majors that the promotional people picked I didn't think it would be a hit. I was wrong every time!
My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.
Everything was a song. Every conversation, every personal hurt, every observance of people in stress, happiness and love... if you could feel it, I could feel it. And I could write a song about it.
I decided to make a CD that I would enjoy listening to. So I would finish a song and sit there, and I would say, 'What song, of all the songs I know, would I like to work on now? What song would make me happy?' And that's how I picked the songs.
I think people are frustrated with dysfunction, not just dysfunction in government, but a lot of dysfunction that surrounds them. I get the frustration with drugs in the neighborhood or my kids with big college loans can't find a job.
Every day we encounter situations where we have to make a stand. Looking back, I could have not hand-picked a better song to be my first single.
The poverty we see in America is now too widespread, and too complex, for easy fixes. But I do think we can reimagine many of our institutions and can create new ones in ways that would be effective. We could, for example, create social insurance systems, similar to social security, such as that we went through in 2008-9. We could create a financial transaction tax, oil profit taxes and a fairer estate tax system, and we could plow much of the revenue raised from these into job training programs, into better education infrastructure, into an expanded Earned Income Tax Credit.
The Rilo Kiley song 'A Better Son/Daughter' is my most requested song - especially for people who are at the age I was when I wrote it. It's sort of a mid-twenties lament.
I wasn't a sweet kid. I was an instigator and provoked everyone with my goofy hyena cackle, loving every minute of the drama I could create.
Could we chose to amend the rules of the game to create a society that values people over profits, life over pollution, mutual care over guns and prisons, vision over dysfunction?
When you draw a western correctly, you create such drama, such dilemma that you think you almost don't want to admit who you might have been.
When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
We thought that using rap would draw a parallel with the protest music from the 60s and 70s that we found through the research for animadoc. When we thought about rap, Emicida immediately came to mind and we decided to call him to create this song bring the audience back to earth and put their feet on the ground. Emicida's song is the only one that has lyrics in actual understandable Portuguese.
Over the years, I've interviewed thousands of people, most of them women, and I would say that the root of every dysfunction I've ever encountered, every problem, has been some sense of a lacking of self-value or of self-worth.
Everyone wants to talk about terrible breakups. Breakups are horrible, they're relatable, and people do them badly. Everyone has a story of a terrible breakup.
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