A Quote by Kara Lindsay

I did 'Lone Star Love' in 2007 with Randy Quaid, and that was supposed to come to Broadway at the Belasco and a marquee went up and everything... and it all fell apart, and that marquee came right down, and we got severance pay. And, it was very sad.
We did a gig at the Marquee and we were supposed to be paid five pounds but we never got it, and it cost us something like 10 pounds in petrol to get there to do it. So what we did was steal some equipment from The Marquee.
You know when there's a star, like in show business, the star has her name in lights on the marquee! Right? And the star gets themoney because the people come to see the star, right? Well, I'm the star, and all of you are in the chorus.
Broadway producers are happy to have a big Hollywood name they can post on the marquee, but most of them assume that television and film stars really can't handle stage work. Too often, they're right.
Keep a marquee everything sparkly Man down hit em on the walkie talkie
The reality is that some Kapoors did reach the marquee; others did not.
Anybody see 'Cop Land'? I went to go see it, but I got stoned in the parking lot. And then on the way in, I read the marquee, and I got paranoid and went home.
The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.
I thought I wanted to get into hair and make-up, which I did for a short time, and then I fell in with a stylist by chance and very soon fell in love with everything about the fashion industry.
I certainly wanted my name in lights. I wanted my name on a marquee. I wanted recognition on Broadway.
I was digging for stuff in a used bookstore, and I came upon 'Little Sister.' I fell in love with Chandler that night. I fell right down the rabbit hole of crime fiction.
Strangely enough, I wasn't into fast guitarists. I preferred Peter Green's subtle touch. I saw him with John Mayall's Bluesbreakers at the Marquee Club in London and was very impressed. He was the only guitarist I've ever seen to turn the volume control on his guitar down during a solo.
I was attached to star in a project that was going to be an unbelievable character piece, to be showcased all over the world. It was everything I had been working toward and had suffered for. I had two months to prep and pretty much bankrupted myself in the process. A week before I was supposed to get on the plane, the whole project fell apart. Not only did it leave me completely broke and out of work, but I felt as if I had been betrayed by acting. Acting is not just something I love but a part of who I am. I was shattered. Thankfully, the love of those around me helped push me forward.
They call me Ricky Fatton. Mind you I've had a lot on my plate recently. I got measured for this suit the other week. They measured my pants, jacket, top to bottom. Bloody hell Ricky you're a Mark F they said, a size up from a marquee.
Jazz brought this sense of democracy where four guys come together and your name may be on the marquee, but in this moment, when you're the soloist, it's you, and we follow you. We follow you.
I went to work. That was a turning point. When you have to do eight shows a week and your name is on the marquee, no matter what is going on at home or what's on the cover of the newspapers, you've got to do your job.
What I made clear to our front office is we're going to be judged by wins and losses. It isn't about having a marquee star player and coming in last place. That's not what Lakers basketball is. Lakers basketball is winning basketball.
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