A Quote by Kara Swisher
My telephone manners were, well, offensive to some. As I lugged my cell around, yammering away, I noticed cold stares from passersby who viewed me as a kind of techno-terrorist, or at least incredibly rude.
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I'm at the doctor's office. I'm in the waiting room. And there's this guy on his cell phone, talking really loud. Does he think he owns the place? Apparently. I think this is so offensive. But you have to remember: It doesn't take a cell phone to make people rude. People were rude before there were cell phones.
All children in the '50s were taught manners, they were taught to say please and thank you, they were taught not to be rude. And I'm seeing some problems today where somebody's losing a job because they made fun of a fat lady that couldn't fit in the elevator. I mean that was the sort of thing that, when I was eight years old, my mother made it very clear to me that that was not okay to say that kind of stuff.
There is a duality in recognising what an incredible disease it is - in terms of its origin, that it emerges out of a normal cell. It's a reminder of what a wonderful thing a normal cell is. In a very cold, scientific sense, I think a cancer cell is a kind of biological marvel.
It doesn't take a cell phone to make a person rude. There are rude people all over the place. But people are learning. I have never heard a cell phone ring in the movies. We are going to learn how to live with the advantages of new technology.
I've been waiting for techno to die. I was in Germany once and this guy was telling me that techno was dead, and then he proceeded to play me techno for hours.
Yes, but also one of the problems for a novelist in Ireland is the fact that there are no formal manners. I mean some people have beautiful manners but there's no kind of agreed form of manners.
The right place for a terrorist is a prison cell; the right place for a foreign terrorist is a foreign prison cell far away from Britain.
I don't like people being rude. Bad manners and arrogance make me cross. People making others feel uncomfortable. And I really don't like it in restaurants when people are rude or patronising to waiters. I feel like saying, 'They're not your slave'. But my knees only shake around once every five years. You're safe, don't worry.
We need to be diligent in our neighborhoods, in America to keep an eye out for wherever there might be some kind of a terrorist cell that is festering that could potentially blow up.
I listen to all of my Dutch happy-hardcore songs from my raving techno days when I was about 14. It's the most horrible music ever. I think it's some kind of muscle memory that brings me back to when I was 14. It makes me bounce around the gym quite happily.
Action isn't a burden to be hoisted up and lugged around on our shoulders. It is something we are. The work we have to do can be seen as a kind of coming alive. More than some moral imperative, it's an awakening to our true nature, a releasing of our gifts.
Well, my message is, is that if you harbor a terrorist, you're a terrorist. If you feed a terrorist, you're a terrorist. If you develop weapons of mass destruction that you want to terrorize the world, you'll be held accountable. . . . If anybody harbors a terrorist, they're a terrorist. If they fund a terrorist, they're a terrorist. If they house terrorists, they're terrorists. I mean, I can't make it any more clearly to other nations around the world. If they develop weapons of mass destruction that will be used to terrorize nations, they will be held accountable.
When I heard We Are the World do a techno version of one of my songs, I didn't know the word techno, but I said, "That percussion is astounding, will you help me do a piece?" Nobody said, "Techno isn't allowed for you."
I have this disease late at night sometimes, involving alcohol and the telephone. I get drunk, and I drive my wife away with a breath like mustard gas and roses. And then, speaking gravely and elegantly into the telephone, I ask the telephone operators to connect me with this friend or that one, from whom I have not heard in years.
Writers that pretend to be in the throes of some kind of genius-demon, some kind of possessing spirit that refuses to let them engage with Normal Life are bullshit artists of the highest degree, looking to excuse their antisocial tendencies and bad manners away with a flourish of vocabulary and the semantic waving of hands.
Footwork is the foundation to my offensive game. Being able to move, pivot around and dribble better were the big things I wanted to add to my game, as well as stretching out my game so I can shoot away from the basket better.
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