A Quote by Kara Walker
The promise of any artwork is that it can hold us - viewer and maker - in a conflicted or contestable space, without real-world injury or loss.
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The viewer brings something individual to the experience of any artwork.
The Father is truly the only Promise Maker who is in earnest a Promise Keeper. A promise from God is a promise kept.
The storyteller is deep inside everyone of us. The story-maker is always with us. Let us suppose our world is attacked by war, by the horrors that we all of us easily imagine. Let us suppose floods wash through our cities, the seas rise . . . but the storyteller will be there, for it is our imaginations which shape us, keep us, create us - for good and for ill. It is our stories that will recreate us, when we are torn, hurt, even destroyed. It is the storyteller, the dream-maker, the myth-maker, that is our phoenix, that represents us at our best, and at our most creative.
I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.
The real art is in the street, is making the artwork, and for that you have to involve people. The action is actually the artwork.
Art is the space between the viewer and the rectangle that hangs on the wall. Unless something of the person that created the work is there, there's nothing for the viewer to take away.
Money gained on Sabbath-day is a loss, I dare to say. No blessing can come with that which comes to us, on the devil's back, by our willful disobedience of God's law. The loss of health by neglect of rest, and the loss of soul by neglect of hearing the gospel, soon turn all seeming profit into real loss.
There must be an open space in the paintings - an entry space for the viewer, or even for me. Just white space where you can get into it.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
If the world is to contain a public space, it cannot be erected for one generation and planned for the living only; it must transcend the life-span of mortal men…. There is perhaps no clearer testimony to the loss of the public realm in the modern age than the almost complete loss of authentic concern with immortality, a loss somewhat overshadowed by the simultaneous loss of the metaphysical concern with eternity.
Real heroes are those who face death for a principle - say, to save the lives of others - without any promise of reward.
Whenever you finish an artwork and the viewer comes and views it, at that moment you've given up control.
The world is only tolerable because of the empty places in it...when the world's filled up, we'll have to get hold of a star. Any star. Venus, or Mars. Get hold of it and leave it empty. Man needs an empty space somewhere for his spirit to rest in.
We were all born carrying a promise -- a promise to make the world better -- and there's a yearning to make good on that promise that none of us can suppress forever.
If we agree in love, there is no disagreement that can do us any injury,
but if we do not, no other agreement can do us any good.
Let us endeavor to keep the unity of the spirit in the bonds of peace.
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