A Quote by Karamo Brown

As one of the first African-Americans to be out on a reality program, MTV's 'The Real World: Philadelphia,' I understand the courage it takes to live your truth on a national platform, the importance it holds to LGBT communities of color, and the power it has to create a greater conversation within American culture.
I think that the people who come from communities like me as an African-American woman, as a member of the LGBT community, we haven't sat in the corners of power.
Crisis' seems to be too mild a word to describe conditions in countless African-American communities. It is beyond crisis when in the richest nation in the world, African Americans in Harlem live shorter lives than the people of Bangladesh, one of the poorest nations of the world.
I just want to make sure that I'm taking roles that are positive, real, honest reflections of African-Americans because I do think the media can put African-American women in the background. Then, unfortunately, what happens is, subconsciously, our culture begins to assess that as reality.
There are so many families who do not come up in a traditional household. African Americans, Latins, and, I'm sure, whites as well, but there are a lot of men missing in African American communities and in Latin communities.
People take pride in being Irish-American and Italian-American. They have a particular culture that infuses the whole culture and makes it richer and more interesting. I think if we can expand that attitude to embrace African-Americans and Latino-Americans and Asian-Americans, then we will be in a position where all our kids can feel comfortable with the worlds they are coming out of, knowing they are part of something larger.
When I was 17, I worked in a mentoring program in Harlem designed to improve the community. That's when I first gained an appreciation of the Harlem Renaissance, a time when African-Americans rose to prominence in American culture. For the first time, they were taken seriously as artists, musicians, writers, athletes, and as political thinkers.
I don't regret the fervor, because I do believe, in the African American community but also for other communities, and I know from talking to people, for communities around the world, the election of an African American to the most powerful office on Earth meant things had changed, and not just in superficial ways. That in some irreversible way the world was different.
The Afro-American experience is the only real culture that America has. Basically, every American tries to walk, talk, dress and behave like African Americans.
For the first time since I began acting, I feel that I've found my place in the world, that there's something out of my own culture which i can express and perhaps help others preserve..i have found out now that the African natives had a definite culture a long way beyond the culture of the Stone age...an integrated thing, which is still unspoiled by western influences...I think the Americans will be amazed to find how many of the modern dance steps are relics of African heritage.
I think there's a lot of things that occur within the African-American community, that we would prefer to stay within the African-American community - that we get a little nervous when you start having scenes or dialogue that we know is going to be viewed and heard on a national or global scale.
I can't deny that it will be a historic event for an African-American to become president. And should that happen, all Americans should be proud - not just African-Americans, but all Americans - that we have reached this point in our national history where such a thing could happen. It will also not only electrify our country, I think it'll electrify the world.
I don't think every African-American or Latino have the same body type, but, yes, that's been one of the excuses ... saying that African-Americans are too muscular or just aren't lean enough. Usually they say, "Oh, they have flat feet so they just don't have the flexibility that it takes to create the line in a point shoe."
We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.
Occasionally, I've been asked to do American roles, and once or twice I have, but I don't understand Americans. I don't have any real feeling for American culture.
Within the model minority rhetoric, Asian Americans are represented as “good” minorities and African Americans are represented as “bad” minorities. Here, the achievements of Asian Americans are used to discipline African Americans. As model minorities, Asian Americans achieved the status of “honorary Whites”. Again it is important to point out that the honorary whiteness of Asian Americans was granted at the expense of Blacks. It is also significant that as “honorary Whites,” Asian Americans do not have the actual privileges associated with “real” whiteness.
For more than two decades, GLAAD has combatted anti-LGBT images in the media and changed the national conversation about LGBT people.
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