A Quote by Karamo Brown

My favorite job, and definitely the one that means the most to me, is 'Queer Eye.' — © Karamo Brown
My favorite job, and definitely the one that means the most to me, is 'Queer Eye.'
I think that because I struggled and did get very bullied, that definitely made me learn how to be funny and let things roll off and be able to laugh, and I think that has definitely helped me when it comes to being in the public eye with 'Gay of Thrones' and 'Queer Eye.'
Yes, I would definitely let the 'Queer Eye' - I mean, cameras - follow me for my marriage.
I was on MTV's 'Real World' at the time when 'Queer Eye' came out. I remember, the first time I won an award, I got the award, and they were like, 'It's a tie! With 'Queer Eye!'' I never thought that I would one day follow in their footsteps.
As much as I think that in the future we won't need labels, at the moment they're really important. So I'm making myself embrace that. I truly am proud to be queer. Even watching 'Queer Eye' is something that inspired me to say that. So that's the power of representation.
For me, I feel like the most important part of music is the storytelling behind it, and that's my favorite; that's what makes my favorite artists my favorite artists, having the story that I relate to the most and that helps me the most.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
I think the original 'Queer Eye' definitely started us on the journey to normalize the LGBT community and make people realize that we are just people just like everyone else. It started the road to acceptance.
Everyone who passes through 'Drag Race,' and especially the people who are able to have really big careers after the show, has a responsibility to the queer community to do a good job of representing queer people across the board to be kind and loving.
I think that I'm, like, an introverted extrovert. At the end of the day, when I get done doing hair at the salon or shooting a day of 'Queer Eye' or whatever, I definitely want to come home and, like, order pasta and sit with my cat or just one person or no people.
Is the mainstream becoming more queer? Or is it the opposite? That artists like me are mainstreaming queer music?
All the world old is queer save thee and me, and even thou art a little queer.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
The radical power of 'queer' always came from its inclusivity. But that inclusivity offers a false promise of equality that does not translate to the lived reality of most queer people.
In Poland, the whole saying is, 'You've got one eye to Morocco and the other to the Caucasus.' That's the heart of the culture. In England, they say it less romantic: 'You've got a wandering eye.' The saying means my main stream in life must be Deep Purple. That's my main job. Then every now, and I can wander off and have one eye to Morocco.
I relate to what Gov. Romney brings. I know what it means to balance a budget. I know what it means to write a paycheck and not only cash one. I know what it means to create a job, and I know what it means to struggle with my business every day in terms of keeping our doors open any day but definitely in a difficult economy.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
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