A Quote by Karan Mahajan

The problem of empathy is pretty universal, and pretty much breaks down across America. People can't feel beyond their drawn borders. And skin color and culture have a lot to do with that.
When I was, like, 5 years old, I used to pray to have light skin because I would always hear how pretty that little light skin girl was, or I would hear I was pretty to be dark skin. It wasn't until I was 13 that I really learned to appreciate my skin color and know that I was beautiful.
I teach a graduate seminar called "Theorizing Improvisation" that is pretty interdisciplinary, but really makes students deal with black studies seriously. A lot of authors of color, a lot of women of color - those become central to the intellectual trajectory. It considers music, but it also considers areas of thought that might seem unrelated to music. That's partly because we're expanding the notion of what music is beyond objects, beyond scores, beyond things.
National borders have always been arbitrarily drawn by people, and in ancient times there was a lot of exchange of people and culture with the continent.
Most of them are pretty down records, pretty unhappy, pretty confused. Which only reflects how people in general were feeling, I mean really the sense that you get is society running down.
If you have really pretty skin, then you can pretty much stick on mascara and a lip cream and look great.
I think you just have to be comfortable in your skin. But, I'm a nudist in any case. I've never had a problem with my body and I don't really care what people think, so I have bottoms on and pretty much go topless, or also when we shoot - we did a lot of nude pictures today, too - it doesn't bother me in the slightest.
As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
As a twelve-year-old girl, I thought that I was only pretty if the people on social media told me that I was pretty - and they weren't telling me I was pretty. So I didn't think I was pretty, and I was really down on myself, and I really was sad with myself. But social media doesn't give you validation or make you pretty. You make you pretty.
Empathy is like a universal solvent. Any problem immersed in empathy becomes soluble. It is effective as a way of anticipating and resolving interpersonal problems, whether this is a marital conflict, an international conflict, a problem at work, difficulties in a friendship, political deadlocks, a family dispute, or a problem with a neighbor.
I see Lord Buddha in the 21st Century across national borders, across faith systems, across political ideologies, playing the role of a bridge to promote understanding to counsel patience and to enlighten us with tolerance and empathy.
Empathy is like a universal solvent. Any problem immersed in empathy becomes soluble.
My height can be a problem. A lot of directors and photographers are sometimes not happy because I'm pretty tall and especially if I work with short actors the difference can be pretty massive.
It means a lot to you, to be out there. The highs are pretty high, and the lows are pretty low. You know, it's easy to feel like you let the team down. I mean, at the end of the day we still got to figure out a way to get through the tie.
I made a lot of friends at school, and they were all Africans. I could have felt very different. I didn't feel different, I didn't notice the color of their skin, I didn't notice the color of my skin and I have remembered that all my life.
I have a taste for the macabre. I really am not drawn to imagery that is pretty, things that are just pretty. I’m drawn to things that challenge you, that make you nervous, that make you uncomfortable.
I've always been pretty much a quiet person. When I was little, I got picked on a lot. After I went through all that, I pretty much kept to myself.
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