A Quote by Karan Mahajan
There is not one New York but thousands - mixed-up conurbations and microclimates with their own internal logics and charms, dreams and juxtapositions, faces and tongues.
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I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'
I thought of New York as a free city, like one of those prewar nests of intrigue and licentiousness where exiles and lamsters and refugees found shelter in a tangle of improbable juxtapositions. I had never gotten around to changing my nationality from the one assigned me at birth, but I would have declared myself a citizen of New York City had such a stateless state existed, its flag a solid black.
I have to say, post-fame was difficult because it wasn't just fame: it was super-fame of a kind that few have. It was attached to a generation's dreams, and my own personal dreams were mixed up in it, too.
But in New York, it’s different—even uptown it’s really grand, and there’s no real segregation there. It’s all mixed up.
I love filming in New York. I love New York movies, too. I just like it when people can take New York and make it their own, because there are so many different New Yorks.
Each time, I try to find a family of interesting faces. I follow the tradition of films from the 40s - at this time, there were so many interesting faces in France. I often work with the same because there are not thousands and thousands in France. I'm looking for interesting faces and characters actors, and it's not for everybody.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
I didn't have to do that much research to present a post-apocalyptic New York because I basically grew up in that New York. That old New York is gone, and that's one thing that's undiscoverable now but I explore in my fiction.
I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.
New York is about as cosmopolitan as it gets. It's a fairly mixed and woke town, so there weren't a lot of situations growing up where I felt like the outsider or the alien.
Chapter One. The Bride." He held up the book then. "I'm reading it to you for relax." He practically shoved the book in my face. "By S. Morgenstern. Great Florinese writer. The Princess Bride. He too came to America. S. Morgenstern. Dead now in New York. The English is his own. He spoke eight tongues." Here my father put down the book and held up all his fingers. "Eight. Once in Florin City...
Obviously it is right that the Afghans take responsibility for their own future in the end, but they need to know and feel that we are there as partners for them if they are prepared to make the necessary changes. But we should be in no doubt as to why we are in Afghanistan. We ended up there because terrorism hatched there erupted thousands of miles away in New York on Sept. 11.
Friendship is constant in all other things Save in the office and affairs of love. Therefore all hearts in love use their own tongues. Let every eye negotiate for itself, And trust no agent; for beauty is a witch Against whose charms faith melteth into blood.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
New York was a new and strange world. Vast, impersonal, merciless.... Always before I had felt like a person, an individual, hopeful that I could mold my life according to some desire of my own. But here in New York I was ignorant, insignificant, unimportant--one in millions whose destiny concerned no one. New York did not even know of my existence. Nor did it care.
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