A Quote by Karan Mahajan
I'm good at description and imparting flow to a story, but I don't necessarily understand the value of long scenes.
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Good news doesn't necessarily have to be a positive thing. Bringing good news is imparting hope to one's fellow man.
There are some scenes that you have to lose in order to win something at the end. A good director will keep pointing you that way, but it is also your job as an actor to understand that there are scenes that you do, particularly when you are the lead, where other people get to come in and steal and you have to let them. I understand that but a good director always reminds you where those moments are.
Gold is a commodity; over the long run, as we look back, it has not been a good investment. You can't look at the intrinsic value of gold as you can a business. Gold doesn't give you cash flow, and, at the end of the day, cash flow is what is important. Gold doesn't give you dividends.
I run after good stories. If I did not like the story of 'Padman,' and if it was imparting the same message, I probably would not have done it.
Don't go into great detail describing places and things, unless you're Margaret Atwood and can paint scenes with language. You don't want descriptions that bring the action, the flow of the story, to a standstill.
With few exceptions, democracy has not brought good government to new developing countries. What Asians value may not necessarily be what Americans or Europeans value. Westerners value the freedoms and liberties of the individual. As an Asian of Chinese cultural backround, my values are for a government which is honest, effective and efficient.
There's no way that anyone can know the ebb and flow of one's career. You can't know that. You can tell young actors it's going to be very difficult, but there's no way you can understand the difficulties and the rewards through description. You have to cellularly experience it.
We improv-ed scenes that didn't happen in the movie. We improv-ed the scenes that are written in the movie without the dialogue as written. We played around a lot to try and figure out just how we could flow with what was already written in the story and how we could highlight those imbalances and those points at which we came to loggerheads.
Good stories flow like honey but bad stories stick in the craw [gullet]. What is a bad story? It's a story that cannot be absorbed in the first time of reading. It's a story that leaves questions unanswered.
I remember doing 'The Long Fall of One-Eleven Heavy,' and I'd been reporting that story for a long time; I had a lot of good facts, but I had no story. I didn't know what the story was.
Look: invest in what you understand, what's foreseeably going to offer real value and returns, not necessarily what's trendy.
I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.
I used to think that good short-sellers could be trained like long-focused value investors because it should be the same skill set; you’re tearing into the numbers, you’re valuing the businesses, you’re assigning a consolidated value, and hopefully you’re seeing something the market doesn’t see.But now I’ve learned that there’s a big difference between a long-focused value investor and a good short-seller. That difference is psychological and I think it falls into the realm of behavioral finance.
Each story, good and bad, short or long-from that trip to the mall when you saw Santa, to a long, bad illness-they are all a line or a paragraph in our own life manuscript. Two thirds of the way through, even, and it all won't necessarily make sense, but at the end there'll be a beautiful whole, where every sentence of every chapter fits.
What I normally do with long scenes is that I understand the emotional content and the words fall into place.
For the value of everything exists for man only so long as he does not understand it. When he has fully understood, the value is lost, be it the lowest thing or the highest thing.
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