A Quote by Karan Patel
We don't get offered roles because of who we are but because of what we delivered in the past.
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I'm in a fortunate position that sometimes you just get offered roles - they're not necessarily the roles you take, but to get offered a film is amazing. I think the work you've done before that is why you get it.
I generally play villains once every three or four years by choice because I get offered villainous roles a lot, because of the way I look and whatever. And I tend to avoid them because I think you can end up in a cul-de-sac of your own making if you're cast in that.
I get offered a lot of black roles, because apparently I don't look Latino enough.
I get offered a lot of black roles, because apparently I dont look Latino enough.
I've had times in the past where I wanted to give up acting, get my head out of the arts because it was like my constitution couldn't deal with it. My job means I get judged on my looks; I get discriminated against because of my sex; I take on roles that are so two-dimensional... you can go mad trying to fill that third dimension.
If you look at the movies that come out, most of them are bad, so it's not as if achieving some level of success means you get offered better roles, because frankly they don't seem to exist.
In New York I was always offered the hot, sexy roles. But in L.A. I was offered the plain, dowdy roles. It says a lot about the difference between the coasts
In New York I was always offered the hot, sexy roles. But in L.A. I was offered the plain, dowdy roles. It says a lot about the difference between the coasts.
I was drawn to gay parts because of their scripts, what the roles offered.
It's so funny because the roles that I've been offered in the indie film world have been similar to each other, and the roles that I've been offered in the TV world have been similar to each other, but the TV roles and the indie film roles have been completely different.
I'm not expecting much work in Hollywood, to be honest. People stick to film because they tend to get offered the same roles over and over again, and it's safe. But I'm not interested in doing that.
When I started in the business, years ago, people would always say, "You better get as much work as you can now because, once you get over 40, it's over." I don't see that with TV. Maybe it's because I am getting older, but the kinds of roles I'm drawn to are more mature roles.
I hated being typecast in those roles. It was personally limiting, only playing stereotyped heavies. But I got those roles because I was angry, because that's what I projected. I was angry at my mother and father because they didn't get along, angry at the church. On top of that, I had an extreme lack of self-confidence.
I'm in a place in my life where I get offered parts that I didn't get offered before - fathers and uncles and grandfathers and so on. And it took me a long time to get to that place, but I'm glad because it opens up new territory.
After that, I was offered lots of lesbian roles, but I didn't want them because I'd already played the best there was.
In America, I am brown; I'm 'of colour', so I would be offered Latin roles, and I've fought against that. I don't want to be put in a category, to be just offered the same sort of thing. For me, it's all about different roles, telling the stories of the great writers.
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