A Quote by Karan Wahi

I have been doing a lot of web shows but with so many platforms around, you can't binge on all my work. — © Karan Wahi
I have been doing a lot of web shows but with so many platforms around, you can't binge on all my work.
That's very, very important to me, to give another narrative. And Netflix has not been afraid of doing that, as we see from the plethora of shows that they have, from British shows to American shows like 'Master of None,' which I've been very grateful to be on, too. Just giving platforms to people who haven't seen themselves on TV.
Clearly the success of the Netflix model, releasing the entire season of 'House of Cards' at once, proved one thing: The audience wants the control. They want the freedom. If they want to binge as they've been doing on 'House of Cards' and lots of other shows, we should let them binge.
You can be in Ohio and shoot your own web series, if you want. If this had been around when I was in high school, I can guarantee you that my friends and I would have been shooting our own television shows and putting them online and trying to get as many hits as possible.
There are many women who are getting the opportunity to play fantastic parts on the web like Huma Qureshi in 'Leila,' Shefali Shah in 'Delhi Crime' and so many others. It gives opportunity to those who are not getting the work that they desire to do because of their age. So web is doing a social service.
For myself, anyway, I think that recurring has been such a gift, because I've been able to work on a lot of shows that I've really had a lot of respect for before I went in, shows like 'Friday Night Lights' and 'Nip/Tuck,' for example.
I think in 2016 I'm going to focus on performing a lot more and doing as many shows as I can. There's plans to tour more, and that's where my heart is - doing the live shows.
I feel like comedy is doing well right now because there's so many avenues to be seen. Whether it's through the Internet with social media or web videos and now there's so many networks and TV shows.
There have been so many articles written in the papers that want to just eliminate the environmental values business and just build aluminum factories now. But there have been an equal amount of articles of people saying listen, you just went on a money binge, are you gonna go on another binge now?
It's funny: We have so many shows and so many channels and so many things to occupy people as entertainment, especially with a show like 'Scandal,' which is clearly a hit, with a lot of heat around it - but every once in a while, people will say, 'What are you doing?' and I'll say 'Scandal,' and they'll have no idea what I'm talking about.
I don't go to a lot of shows. If you go to too many shows, then it doesn't become a special thing. Whenever I've been to a concert, it has been such a cool experience.
I'm trying to limit the screen time because there's so much crazy news and you can only binge-watch so many TV shows.
It's been a very strange trajectory because I struggled for so many years. I mean, I was doing these videos, I was doing these live shows, I had a lot of fans in New York, the press would write about me, but I couldn't get a paying job, and so my father and I were really like a team.
Audiences are hungry for something different. With binge-watching, they're hungry for interesting content they haven't seen before, and they want to be entertained. A lot of shows are grim, murky and dark. We wanted to spin away from the obvious, the tropes, the cliches and what people are doing right now, and do something different.
For me specifically, after travelling around the world I noticed that performers who had web shows had huge international popularity and that segued into a lot of events reaching out to book them.
My work with Patriot Voices actually dovetails very well into the work I'm going to be doing with EchoLight. I'll be traveling around the country, doing a lot of radio interviews, a lot of media interviews, so I don't see that as all inconsistent.
I think that's so particularly exciting about this moment in time is all the new platforms that are now existing, the Netflixes and the Hulus and Amazons and so and so forth; I mean they are really doing what pay TV was doing twenty years ago. So a show like Dancing On The Edge gets to have a digital life after it's playing on Starz. I think what's exciting is how these new platforms are providing more opportunities both for first-run programming on the one hand but also for second plays for shows that have appeared first either on traditional broadcast or on cable.
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