A Quote by Karch Kiraly
Our objective is always to do something that hasn't been done before, but the opponent has a lot of say over how that works out.
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I've done a lot of tough stories over the years. I've done a lot of profiles over the years that have not always been, shall we say, helpful for the person who is being written about.
I'm sure there have been a lot of boys I've chased over the years that has been fueled by alcohol and stupidity. But that's kind of how things happen - sometimes you have to do something really stupid, and sometimes it works out, and sometimes you fall flat on your face.
With Led Zeppelin, it has always been that mystique of how the music is done - how it works, why it works.
It's just part of whatever motivates guys and whatever they say. Ultimately it comes down to how well you play. What I've learned over the years, a lot of guys talk. What you need to do is go out there and play, back it up. They've been able to back it up, so that's why it works for them. Hopefully we can go out there and do our talking on the field.
That's the trouble with the conventional doctors. They always say, 'How does it work?' but often there isn't any neat little answer...Something simply works...We don't really know how it works. We say we do. We know one or two things we can see and measure.
From my point of view, a lot of the things that we've done over our entire career have always been a big failure because it was never the way that I planned it. But then there's always upsides with it that turn out to be better or greater than the original plan.
I almost literally wake up in the morning starting to think of my next idea. It's almost always driven by what's in the news. The hard part, really, is getting from knowing what I want to say to figuring out how to say it in an image. I'm still not entirely sure how to explain how that happens... Suddenly, something just works.
A rather ugly thing starts happening: the playwright finds himself knocked down for works that quite often are just as good or better than the works he's been praised for previously. And a lot of playwrights become confused by this and they start doing imitations of what they've done before, or they try to do something entirely different, in which case they get accused by the same critics of not doing what they used to do so well.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
Our objective in South Vietnam has never been the annihilation of the enemy. It has been to bring about a recognition in Hanoi that its objective - taking over the South by force - could not be achieved.
I always say it's very difficult when you're tackling something like 'Spider-Man' or 'Batman' that has been done so many times before.
I ask a simple question. Hillary Clinton has been doing this for 30 years. Why the hell didn't you do it over the last 15, 20 years? And you do have experience. I say the one thing you have over me is experience, but it's bad experience, because what you've done has turned out badly. For 30 years you've been a position to help, and if you say that I use steel or I use something else, make it impossible for me to do that. I wouldn't mind. The problem is you talk but you don't get anything done, Hillary.
A film is not done by one person. It's done by a lot of people. I love this whole collaborative aspect. When it works well, you end up with something better than any of us started out to do.
I just think the days of me doing press and getting excited about games before they're done is over. That's not how the world works anymore.
Get out well, but not too quickly, move through the field, be comfortable. Strategy-wise, go with your strengths. If you don't have a great finish, you must get away to win. I've always found it effective to make a move just before the crest of a hill. You get away just a little and you're gone before your opponent gets over the top. Also, around a tight bend, take off like holy hell. I've done that a number of times. You should not be flying down the home straight. Most of your efforts should have been put forth earlier.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
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