A Quote by Kareem Abdul-Jabbar

I don't know if I was the baddest. People kind of saw me in that light. — © Kareem Abdul-Jabbar
I don't know if I was the baddest. People kind of saw me in that light.
People took notice of me and saw that I can carry off light-hearted roles as well. They started talking about Pritam Vidrohi, and it became a lovable character; I saw that people were clapping and whistling. It was a big high to watch this kind of reaction.
Word has it, they think I'm an old man, and they're not gonna double me. My message is that I'm the baddest for my age bracketest. What I mean by age bracketest is that I came in at 20, I was the baddest 20, and I'm the baddest at 35.
Listen I'm the baddest in the school, the baddest in the game Excuse me honey but nobody's in my lane
And I saw darkness for weeks. It never dawned on me that I could come out of it, but you heal. Nature heals you, and you do come out of it. All of a sudden I saw a crack of light ... then all of a sudden I saw another crack of light. Then I saw forms in the light. And I recognized that there was no darkness, that in darkness there'll always be light.
I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
I'm very light, so some people don't really know that I'm black. I've been in situations where people will say something kind of racist, and I'll step in, and they'll be like, 'Oh, well, you're light.' That still doesn't cut it, buddy.
Maybe I'm the baddest chick on the planet, maybe I'm the baddest woman in the Octagon, but I'm definitely emotional.
The best kind of comedy to me is when you make people laugh at things they've never laughed at, and also take a light into the darkened corners of people's minds, exposing them to the light.
I would say Will came at a time in my life where he saw beauty in me that I didn't see in myself at the time. And, you know, he saw a diamond in the rough and kind of, picked me up and blew off all the dust and said, 'I'm telling you, I'm going to make you shine, girl.'
But I still don't know what kind of monster was this god, until I saw that Jesus deliberately hid his light under a bushel. "Tell no one" was often his command.
I know when I was a kid I saw only one color of beauty, I saw only one kind in all the billboards and all magazines and the video clips. One kind and it was so frustrating.
... people in the newspaper industry saw the web as a newspaper. People in TV saw the web as TV, and people in book publishing saw it as a weird kind of potential book. But the web is not just some kind of magic all-absorbing meta-medium. It's its own thing.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
The word 'Namaste' means 'the light in me reflects the light in you' and I think the thing that makes people attractive are the people who shine their light and the people who can recognize that light in others.
I like that 'Pitch Perfect' is one of my first forays into film and just being seen in that kind of light, aside from some people who know me from 'Spring Awakening' or the other things that I've done. I think in so many ways it's kind of like my own 'Glee' or 'Smash'.
The boxing world knows I'm the baddest man out there, but not having the right promotion behind me putting me out there has hurt me and that's why I've made the changes, and Matchroom and DAZN know what I can bring and they can move me to the next level.
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