A Quote by Karen Allen

I was always drawn toward the Actor's Studio. I studied at the Lee Strasberg Institute when I first came to New York. One of my favorite teachers was one of Al [Pachino]'s teachers, a guy named Charlie Laughton, who was just a wonderful, wonderful man.
I studied acting for 10 years before I went for an audition. I studied with Lee Strasberg and Actors Studio teachers, and went to the High School of Performing Arts.
I studied philosophy at Columbia, then dropped out to do drama at the Lee Strasberg Institute.
All teachers are good for someone. There are some teachers out there who I cannot stand, for whatever reason. I cannot even bear the sound of one teacher's voice. Yet they are wonderful teachers for other people. They just are not for me.
I left my career in Hollywood, moved back to New York, and went to Lee Strasberg and studied with him for the rest of his life.
It turned out that those years I was at the Studio were the last years that Mr. Landau was alive and teaching. They were also the last years of some of the greatest teachers that have walked the earth. I got to hear the advice of Charlie Laughton, Mark Rydell, and Penny Allen.
I think Buddhism is a wonderful philosophy. I've had the good fortune to meet many wonderful teachers from that society.
Certain teachers have tremendous amounts of experience. They are articulate, and they give wonderful discourse. But at some point along the road, they themselves learned from and studied a book.
I actually came to New York when I was 12 and did ballet school for a little while. I was being groomed to be professional, and a lot of the professors and teachers there were drawn to me and thought that I could become a professional ballerina.
I had some great English teachers. One of my favorite - her name was Linda Janoff - was wonderful and so irreverent and so smart and encouraging.
I learned to drum and I'm very excited today. Well, first of all I got to...I learned when I was in New York I sort of did some prepping with just learning basic stuff like beating my couch next to my drum teacher, who's this incredible guy named Charlie Green.
I studied with a number of different teachers. But really, I've never studied with teachers. To be honest, the only thing that's ever interested me in life is eternity. Nothing else makes any sense to me.
It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me.
I was always drawn to teachers who made class interesting. In high school, I enjoyed my American and English literature classes because my teachers, Jeanne Dorsey and Dani Barton, created an environment where interaction was important.
I knew I wanted to be an actor for a long time, but I was based out of Chicago and then I went to New York and I did 'The Upright Citizens Brigade' out there. I had a two-man show with a guy named Oliver Ralli who's now in the band Pass Kontrol, which is a big band out of New York.
I was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that.
New York's such a wonderful city. Although I was at the library today. The guy was very rude. I said, "I'd like a card." He says, "You have to prove you're a citizen of New York." So I stabbed him.
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