A Quote by Karen Allen
I was quite eager to work, anytime somebody was offering me a job, if I liked the role. Because I was always very discriminating from the very beginning, in the sense that I had absolutely no problem saying no to jobs when they came along if somehow they didn't fit into my universe - whatever that was.
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With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me. That's something that seems to happen as well when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.
I got along with people very well at every job I had, people liked me and I liked them and I loved being on my feet.
With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
I wasn't a very discriminating reader. I read just about everything that came along.
I think whatever is going on with my brain, I'm very, very - and I'm not saying this as a positive thing, it's just a fact - I'm very creative. I have a very strong imagination, and have since I was a little kid. That is where a lot of my world comes from. It's like I'm off somewhere else. And I can have a problem in life because of that, because I'm always off in some other world thinking about something else. It's constant.
I worked in a chicken factory, in a steel foundry, I worked on the bins for a year or so. It started as a summer job, but I stayed on because I liked it very much. I liked it that it made you very fit, doing all the lifting and that, so I could wear short-sleeved t-shirts, which I'd never been able to do before!
Completing a large or difficult survey can be a very satisfying thing, especially if there have been hurdles or setbacks along the way. In our work, we get to "tick" off jobs quite often, so the sense of completion can also be rewarding.
I was very careful to cast guys who were very good-looking and very fit and who had a certain sense of privilege about them, because with that sense of privilege comes contempt.
I'm very quiet. In the beginning, my brother would play the piano, and I would sing, because that's what my mom and dad did. And then along the way, somebody teased me for even thinking that I could get up there. That stayed with me, and I became very shy.
There is a certain sense in which I would say the universe has a purpose. It's not there just somehow by chance. Some people take the view that the universe is simply there and it runs along-it's a bit as though it just sort of computes, and we happen by accident to find ourselves in this thing. I don't think that's a very fruitful or helpful way of looking at the universe, I think that there is something much deeper about it, about its existence, which we have very little inkling of at the moment.
For me it's absolutely necessary to start from the very beginning. I can't think of coming and contributing something anywhere along the line other than the very start.
In the beginning I had a real work problem. Every time I had job I had to convince the immigration authorities I was the only man for that job and get a special work permit until I went under contract to MGM.
It often seems to me that's all detective work is, wiping out your false starts and beginning again." Yes, it is very true, that. And it is just what some people will not do. They conceive a certain theory, and everything has to fit into that theory. If one little fact will not fit it, they throw it aside. But it is always the facts that will not fit in that are significant.
I think my biggest problem as a creative person trying to work within a business for profit was that it was very important to me that people liked me. Over the years, observing other showrunners who made work that I so admired, I realized that that had to go. This couldn't be my first priority. My first priority had to be the work.
When I was first approached about doing an autobiography, I said, 'absolutely not.' But when I sat down, memories came pouring out. It wrote very quickly - I think there was an emotional impulse, because once I started in, the story itself carried me along. It was a very intense writing period and took a year and change to finish.
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