A Quote by Karen Allen
I was so lucky. I was very broke and I was taking classes at Lee Strasberg's Institute and I saw a 3 X 5 index card on the bulletin board advertising for college-aged girls for a film. That was Animal House.
Related Quotes
I studied philosophy at Columbia, then dropped out to do drama at the Lee Strasberg Institute.
I was always drawn toward the Actor's Studio. I studied at the Lee Strasberg Institute when I first came to New York. One of my favorite teachers was one of Al [Pachino]'s teachers, a guy named Charlie Laughton, who was just a wonderful, wonderful man.
As a kid, I was just writing scripts and taking whatever film classes I could in college.
In the ever accelerating world of the Internet, e-campaigning has gone from a novelty to a necessity in less than a year. With increasing sophistication and urgency, campaigns are using the Web as a bulletin board, advertising medium and organizing tool.
I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
It was kind of an amazing class. I went to the Strasberg Institute in New York for a little while after I got there, and I've never seen anybody who was in any of my classes there ever again. I mean, that's not to say they didn't become somebody. I'm not sure. I mean, Sam Jackson could've been in my class, for all I remember.
I trained as an actor with Lee Strasberg, Elia Kazan, and Harold Clurman, and those guys set a very high bar.
There was a film class in my high school in Northfield, Minnesota, which was very unusual. I saw my first Buster Keaton film there, aged about 15. It made a gigantic impression on me.
My education was a huge influence. I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods, and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
In Queen Mary's, which was an all-girls' college, I learned discipline, hard work and to be competitive. But at Madras Film Institute, I learned about the world, being free and knowledgeable, and thinking beyond oneself.
When I entered the industry in the early 1970s, I was a gold medalist from the film institute, Pune. That was when graduates from the film institute were very quickly absorbed by the mainstream commercial industry.
I saw 'Animal House' in the theater the night before I left for college. And for better or worse, it made an impression. Within a week, I was in a fraternity myself.
It took me forever, learning improvisation, because I had studied with Lee Strasberg - I dropped out of Chicago and went to his classes in New York for a couple of years, once or twice a week. What I didn't realize was I was learning directing because he wasn't all that good about acting, not for me.
In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.
One common adage...that is completely wrongheaded is: You can't go broke taking profits. That's precisely how many traders do go broke. While amateurs go broke by taking large losses, professionals go broke by taking small profits.
For the actor, The Lee Strasberg Notes are an indispensable companion.
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