A Quote by Karen Allen

There's something so wonderful about being an actor in New York. — © Karen Allen
There's something so wonderful about being an actor in New York.
Chicago seems to follow New York, and coming from New York and being in real estate, I worry about things happening in Chicago that have happened in New York. I've seen a great city like New York go downhill. It has a wonderful financial downtown, but the rest of the city is not very nice.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
Something about New York, man: You can do more comedy there probably than you can anywhere in the world. If you're interested in being funny, New York is the place to go.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
Los Angeles is where you have to be if you want to be an actor. You have no choice. You go there or New York. I flipped a coin about it. It came up New York, so I flipped again. When you're starting out to be an actor, who wants to go where it's cold and miserable and be poor there?
It's about being open to what comes your way. I came to New York and saw 'Spelling Bee.' I said to myself, 'That's the greatest show ever, and I can't believe I'm not a part of it.' I felt the only way I'm going to get to be a part of something that good is to live in New York. So I moved to New York and ended up in 'Spelling Bee.'
Being in New York as a whole, Brooklyn as well, you can do anything you want. That's by far the best part about New York, besides just the hustle and grit and grind of Brooklyn specifically, but the best food. Anybody you want to get in contact with, odds are if they don't live in New York, they're passing through New York at some point in time.
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
I was always drawn toward the Actor's Studio. I studied at the Lee Strasberg Institute when I first came to New York. One of my favorite teachers was one of Al [Pachino]'s teachers, a guy named Charlie Laughton, who was just a wonderful, wonderful man.
This New York thing is being blown out of proportion. Who gives a **** about New York when elephants are being killed?
The wonderful thing about being a New York Times columnist is that it's like a Supreme Court appointment - they're stuck with you for a long time.
The acting training in school was great, but it was mostly fun being young and in New York. Because my upbringing was so transient, New York ended up being my home. I've been living in New York longer than I have anywhere else in my life.
I've lived in New York City all my life. I love New York City; I've never moved from New York City. Have I ever thought about moving out of New York? Yeah, sure. I need about $10 million to do it right, though.
If I look at it, it's about being able to get lost in New York, to explore the city, to have more personal stories about New York, although some could also take place in Paris.
Ideas matter in New York. I am certain that more conversations in New York are about ideas than anywhere else. Not just vague theories, but ideas that New Yorkers have the will, and the clout, to do something about.
I always wanted to make a living as an actor living in New York. A New York actor. What's better than that?
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