A Quote by Karen DeCrow

One year, I was a patron of a new opera. It was, to put it kindly, unpleasant to the ear. The friends I went with hated it. Keeping quiet about my contribution, I was outed when one of them, reading the program at the restaurant during dinner, saw my name.
I saw my first Broadway show when I was 10 years old. I saw 'Big: The Musical' and I remember going out to dinner with my mom afterward and reading the souvenir program like crazy!
Because these show are live, script pages are being switched during the program and new commercial teases might be yelled in your ear with just enough time to scribble them on scrap paper before reading them.
As I started reading about it, I saw that at the beginning of the 19th century, outside of New England - which was an unusually literate place - practically no one could read or write. And even in New England, the overall rate was only about 60 percent. That still means four out of 10 people couldn't put their name to a will.
I'm just a bit frustrated that in London we make such an effort to ape the New York restaurant scene. I have good friends who ape the New York restaurant scene and do it brilliantly. None of them would claim that the primary reason for going to their restaurant was the food.
There's this terrific kid in Maine who saw all the waste generated by straws handed out in restaurants. So he made up these little pop-up cards and asked restaurant owners put them on the tables to explain why straws wouldn't be handed out unless requested. Of course, the restaurant owners couldn't resist a 9-year-old kid, and so it worked.
It's important that the art forms communicate, whether it's the dance program with the jazz program or the classical program with the opera program, that these conversations becomes fluid.
I was impressed by a program called New Roots, which helps women refugees from countries in conflict to start new lives in the U.S. by farming. They are trained in a four-year program, at the end of which New Roots helps them find their own land to farm and live on.
Every year I go to Broadway to see a musical - I like the music. I saw 'Mamma Mia;' I saw 'Les Miserables;' I saw 'Phantom of the Opera' like six, seven times.
I love London in the rare parts of the year when it's quiet, and no time is more reliably quiet than the week between Christmas and New Year.
I have always hated slavery, I think, as much as any abolitionist. I have been an Old Line Whig. I have always hated it, but I have always been quiet about it until this new era of the introduction of the Nebraska Bill began.
My mom says that she caught me one day in front of the TV watching opera. I was trying to sing back the opera. She saw that I really liked music, and so she put me in piano lessons when I was about three years old.
The art of remaining consistent is keeping your ear to the street and the new music. Embracing the culture for what it is. You can't get a nice heat wave and then forget about the people. The more you put out music, the more strength and power you possess.
In my teens, I saw a terrible production of 'Die Walkuere.' To a person of 15, it was just awful, and it put me off for many years. Eventually I became an opera-goer, if not an opera buff.
This is how I learn most of what I know about my children and their friends: by sitting in the driver's seat and keeping quiet.
I was working in a family business-the fur business - and I hated it. I was reading the New York Times want ads, and I saw a photographer's assistant job in Vogue. Things went from there.
Last year, New York got $200 million. This year, we're going to give them $124 million under this particular program. But last year was an artificially elevated number to make up from the very low grant the year before.
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