A Quote by Karen DeCrow
Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
I think we should be proud of the fact that our face has got lines, because at least that means we have lived.
Because the mask is your face, the face is a mask, so I'm thinking of the face as a mask because of the way I see faces is coming from an African vision of the mask which is the thing that we carry around with us, it is our presentation, it's our front, it's our face.
There are many faces to war. There is the face of courage, of bravery, of fellowship.There is the face of fear. Above all, there is love of country.
I am so used to having two faces. A face that I had for black America and a face for white America. When Obama became president, I lost both faces. Now I only have one face.
I don't believe in lots of face creams; I think your skin should work for itself. Your natural oils look after your skin, so I just use a simple face wash.
Elderly people are like plants. Whereas some go to seed, or to pot, others blossom in the most wonderful ways. I believe beauty competitions should be held only for people over seventy years of age. When we are young, we have the face and figure God gave us. We did nothing to earn our good looks. But as we get older, character becomes etched on our face. Beautiful old people are works of art. Like a white candle in a holy place, so it the beauty of an aged face.
Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?
People have a natural tendency to read emotions out of faces, so when you see a face that is hyperreal but without the life behind the eyes, it's really off-putting and intriguing.
The face you have at age 25 is the face God gave you, but the face you have after 50 is the face you earned.
I see too many people who jump into spirituality as a shelter to hide from reality. It doesn't work that way. The way it works is for the spirit behind you to follow you wherever you go, like a loyal soldier, and show you how to face up to adversity. If you can't face adversity, you will get locked into a new age perception that everything is fine when it isn't. That makes you vulnerable to being exploited by the person who comes along and says, "I am a psychic. I have studied with this guy or that guy, and I know what you should do".
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
Every African-American I know has two faces. There's the face that we have for ourselves and the face we put on for white America for the places we have to get to.
In the age of social media and dating apps, so many people are able to hide behind their Instagram page or their Raya page or Facebook. And it's like, 'Let's set something up! I want to meet face-to-face.' And 'Take Me' was about, 'Are you going to take me out? Do I have to be the first person to make the move?'
If we are to love our neighbors, before doing anything else we must see our neighbors. With our imagination as well as our eyes, that is to say like artists, we must see not just their faces but the life behind and within their faces. Here it is love that is the frame we see them in.
He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?
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