A Quote by Karen Hesse

When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
I'm not on social media because I feel like that would be just such another level of responsibility that I don't feel up to. It's not uncommon now to have personal and public intertwined, and I don't know how people are able to manage that. I don't know where you go when you want to be alone if everything is out there.
It’s amazing how lonely you can feel and like nobody understands…The moment you are vulnerable, someone always reaches out….They go through the same things. I want them to feel comfortable knowing that I have flaws as wells. I want them to know those flaws. I’m afraid of the pedestal…I want to be a peer to my fans
Pretending is the grease of non-relationships. Pretending is how you and I get through the day without ever having to know each other. When I walk in the room, you say to me, 'How are you?' Well, you don't want to know. And, frankly, I don't want to tell you. So I just say, 'Fine,' and you go, 'Fine.' And off we go.
Hillary Clinton doesn't know how to counterprogram Trump, if you will. Hillary doesn't know how to go out and write her own narrative of the day. Hillary doesn't know whether to focus on herself or to criticize Trump or to go after Crazy Bernie. She doesn't know what to do. And the press doesn't, either.
There's a cave, we go inside of ourselves because we want to know more, and we turn this one corner and we go, Oh my god - I didn't know that was in here. We can never go back to the way we were. It's like a horrible car accident - you're never the same after that. It's something that you'll think about every day for the rest of your life.
Sarcastic Science, she would like to know, In her complacent ministry of fear, How we propose to get away from here When she has made things so we have to go Or be wiped out. Will she be asked to show Us how by rocket we may hope to steer To some star off there, say, a half light-year Through temperature of absolute zero? Why wait for Science to supply the how When any amateur can tell it now? The way to go away should be the same As fifty million years ago we came- If anyone remembers how that was I have a theory, but it hardly does.
You can't go home and look at your plaques at the end of the day, because every politician has like a million plaques on their wall. OK? You don't go home and look at - you don't get anything for that. And you can't go home and say, boy, I really served the Democratic Party or the Republican Party. You want to go home and, you know, Fourth of July, you know, any of these special holidays that recognize our country, you want to feel like you've built a stronger nation, which means you helped build the people and put them in a stronger place where everyone's lifted.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
I want every kid to go to college and be like a normal student. I want them to be able to go to a movie, go to a concert. I want them to be able to have that opportunity. But if you're paying kids, are you going to pay a lineman less than you're paying a quarterback? I don't know how to explain that stuff.
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
I generally go into a movie with a very strong vision, with how I want to make the film, how I want to shoot the film, how I want to edit the movie, what I want the sound to sound like. So I have a very concrete idea even if I don't storyboard it, I know exactly what I want to do once I get into the sequence. Now having said that, I try not to let that slave me to the process. So if I do storyboard a sequence I don't necessarily stick to it if I discover more exciting things on set.
Because who would ever want to get close to another person if they knew how hard the letting-go part was? In your heart they only die a little at a time, don't they? Like a plant when you go away on a trip and forget to ask a neighbor to poke in once in awhile with the old watering-can, and its so sad—
I don't know. You know, when I'm not acting, I'm not an actor. I'm just a person. That's how I go through life. I'd rather not - you know, like a lot of actors, you know, they spend their whole 24 hours a day being an actor.
so the story goes but theres something you should know before i walk away and i blow the ending i never want to be without you oh no here i go now you know what i feel about you theres no running must have been wrong to doubt you oh there i go no control and i'm fallen so now you know
I just like to explore honest thoughts or feelings. How I'm feeling at the time. I want to explore it and talk about it and have a conversation with the audience. I want to throw something out there, see how they feel about it, and tell them how I feel about it. I know that's really relaxed, but that's the most fun.
I'm actually not so sure what I'm hoping to find making photographs. You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people. I don't know how I go about it. I also don't know how exactly what I set out to get other than these two things.
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