A Quote by Karen Kain

What's a dancer's worst enemy? Sometimes it's age, but sometimes it's the dancer themselves. — © Karen Kain
What's a dancer's worst enemy? Sometimes it's age, but sometimes it's the dancer themselves.
When I say I can see through clothes, sometimes I try to use it as an X-ray vision to look into the dancer and see who this dancer is right now, at this exact moment in time. I live inside them in a way.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
One of my favorite moments is onstage, when you see a dancer leap, and you think they're flying, and then they fall. It's that moment of suspension that you look for, and sometimes you get it and sometimes you don't.
A good dancer is not necessarily defined by great technique, skill, or ability to pick up choreography but by confidence. When you feel the music, it penetrates to your soul. Everybody's a dancer. The greatest dancer is someone who is willing to dance, not afraid.
I feel like I represent every young dancer, and even non-dancer, who felt they were not accepted by the ballet world. I'd like to think that they can see themselves in me.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
I have spent all my life with dance and being a dancer. It's permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
For me, a dancer is part of an artist's entertainment - 'backup dancer' isn't even in my vocabulary.
I trained as a dancer and did all that kind of stuff. And as a dancer, pressure's a good thing.
For me, a dancer is part of an artist’s entertainment - “backup dancer” isn’t even in my vocabulary.
I am not a natural dancer, not even a half way competent dancer.
Since I was a kid, I've been a dancer, and, of course, I'll always be a dancer till the day I die.
Dance was always part of my life because I was a dancer and my mother was a dancer, and I love the theater.
This site uses cookies to ensure you get the best experience. More info...
Got it!