A Quote by Karen Lord
I think if a story has a message it should be incidental and accidental, otherwise it leans too close to indoctrination.
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Sometimes journalists ask me, "What's the message?" There is no message. I think that fiction should not be trying to give messages. Just tell a story.
In fiction 'issues' are accidental, sometimes incidental. The place and the people it creates are paramount.
It seems to me there's this tyranny that's not accidental or incidental, to make women feel compelled to look like somebody they're not. I think the effort is being made to get us to turn our time and attention to this instead of important political issues.
I think you can tilt too far to the side of the story where the message is just simply entertainment. So I think your goal has to be to craft in one sentence what the truth is you are trying to convey. And then you find or create a story that you wrap around that truth.
If a story is funny, and I made it up, then the big message is, `Aren't I clever?' .. If a story is funny and it actually happened, the big message is, `Isn't the world funny?' And actually I think that's a better message. I kind of want to think that about the world -- and it sounds less like boasting.
Remember remain alert that you don't get too much attached to the accidental - and all is accidental except your consciousness. Except your awareness, all is accidental. Pain and pleasure, success and failure, fame and defamation - all is accidental. Only your witnessing consciousness is essential. Stick to it! Get more and more rooted in it. And don't spread your attachment to worldly things.
Style to me is incidental. The British are very adept at creating it for its own sake, but the best style is incidental. John Coltrane had a style but it was totally incidental to what he was.
You don't want to seem too eager, too romantic - otherwise, it just looks a bit try-hard. But I do think that a first date should be intimate. So I'd choose a nice dinner somewhere cozy, not too crowded, with good wine.
The story of Bennet Omalu is a riveting story; it's just a riveting tale. I knew from the beginning if I stayed close to that kind of storytelling and focussed on the character, then the other stuff comes along with it, and the message becomes baked into the journey.
Ideally, anything one writes should have a social conscience: if you can write a story that thrills, and with a good message, that's the perfect type of a story.
When you make movies, you have to be preoccupied with the social problems, otherwise there is no point in making a movie. To have a story, you need a social problem. Not necessarily a problem, but something to get the idea for a story, otherwise there's no story.
Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
I understand why Barack Obama wants to send every kid to college, because of their indoctrination mills, absolutely ... The indoctrination that is going on at the university level is a harm to our country.
Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.
At the heart of the message of the Savior of the world is a single, glorious, wonderful, still largely untried concept. In its simplest terms the message is that we should seek to overcome the selfishness we all seem to be born with, that we should overcome human nature and think of others before self.
I could hardly sit through 'Frozen.' There was an attempt to craft a moral message and to build the story around that, instead of building the story and letting the moral message emerge. It was the subjugation of art to propaganda, in my estimation.
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