A Quote by Karen Mason
Small spaces allow me the intimacy, but make it more of a challenge for the more theatrical pieces.
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For a knowledge of intimacy, localization in the spaces of our intimacy is more urgent than determination of dates.
... if you know a person really well, the truth is you can't guess how they'll act in an altogether new sort of crisis. ... intimacy creates a special environment for two people, and the deeper the intimacy, the more they both live within it, the closer its boundaries usually are, so that all that lies beyond them becomes with time not less but more and more of a mystery.
I try to make my music have the quiet spaces of folk, the intimacy, and the energy of rock.
I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.
The dramas for me allow me to explore more behavioral, deeper psychological things. But the comedies obviously allow me to explore the idea of really working off other people. I'm having more fun doing that.
I have one major rule: Everybody is right. More specifically, everybody — including me — has some important pieces of truth, and all of those pieces need to be honored, cherished, and included in a more gracious, spacious, and compassionate embrace.
I suppose anybody just losing it and sputtering curses is pretty funny. But I think it would be more of a challenge, much more of a challenge, to make a cursing dad funny.
The number one thing small business needs is to get more customers. Spend more time serving existing customers and getting new ones. The challenge for small business is knowing where customers are and reaching them effectively.
It turns out synthesizing DNA is very difficult. There are tens of thousands of machines around the world that make small pieces of DNA - 30 to 50 letters in length - and it's a degenerate process, so the longer you make the piece, the more errors there are.
In my experience sometimes the darker the material that you're doing, the more necessary it is to have some sort of levity around. I've worked on more lighthearted pieces that have been more brutal and tougher to make.
The more I think about the human suffering in our world and my desire to offer a healing response, the more I realize how crucial it is not to allow myself to become paralyzed by feelings of helplessness and guilt. More important than ever is to be very faithful to my vocation to do well the few things I am called to do and hold on to the joy and peace they bring me. I must resist the temptation to let the forces of darkness pull me into despair and make me one more of their many victims.
I learned how to be more theatrical and have more fun, and to take a song and sing it over and over again in different ways, and make it different each time. I'm not just singing the song - it's this thing that's affecting me.
Even if I am simply one more woman laying one more brick in the foundation of a new and more humane world, it is enough to make me rise eagerly from my bed each morning and face the challenge of breaking the historic silence that has held women captive for so long.
Tennis is a big puzzle. It's not any more physical or mental; you have to have all the pieces first, and then you have to put all the pieces together. For me, it took me time.
A few years ago, I had an interest in making things that felt more like "pieces." That was when I was making a lot of stuff that you could call beats, and it dawned on me that I could say much more nuanced, precise things if I tried to make them more composed. It sounds a bit corny, but I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.
And for me, I think of the group as one in which there's always this pendulum swinging back and forth between writing shorter, more concise pieces until we get kind of sick of it and then writing pieces that get more sprawling and experimental and explore in different directions.
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