A Quote by Karen Mason

Big halls allow me to be a little "larger" and the challenge is make the show feel intimate. — © Karen Mason
Big halls allow me to be a little "larger" and the challenge is make the show feel intimate.
My most memorable food challenge was probably the Big Texan in Amarillo. All the big executives called me because it was such an iconic challenge, and a victory in that would be a legitimizing device for myself as much as for the show.
Throughout the Zelda series I've always tried to make players feel like they are in a kind of miniature garden. So, this time also, my challenge was how to make people feel comfortable and sometimes very scared at the same time. That is the big challenge.
It's really tough for the small farmer to have a successful business. That is the big challenge - all the laws are designed for larger corporations. And that's going to be the challenge in this country; it goes beyond food.
I feel at home in intimate concert halls. I can take risks and I'm immediately forgiven if the risk is a failure because it's such a cozy atmosphere. It opens up the opportunity for conversation and for interacting with the crowd.
Little works, little thoughts, little loves, little prayers for little Christians, and larger and larger as the years grow.
If you live in an oppressive society, you've got to be resilient. You can't let each little thing crush you. You have take every encounter and make yourself larger, rather than allow yourself to be diminished by it.
Only in the theatre was it possible to see the performers and to be warmed by their personal charm, to respond to their efforts and to feel their response to the applause and appreciative laughter of the audience. It had an intimate quality; audience and actors conspired to make a little oasis of happiness and mirth within the walls of the theatre. Try as we will, we cannot be intimate with a shadow on a screen, nor a voice from a box.
I always look terrible before the show. That's when I feel worst. And after the show it's like a million bucks. Simple as that. You feel a little tired but you never feel better. Nothing makes me feel as good as those hours between when you walk offstage, until I go to bed. That's the hours that I live for.
Always it's like big challenge for me. Every point is a big challenge. So I do everything I can.
It's a very sweet and often problematic situation where people feel like they know me and they're concerned for me. It creates these strange little intimate moments.
I've seen high and lows. When things go well that doesn't make me feel like some genius. Nor will I allow the next disappointment to make me feel like a complete failure.
Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.
The idea was called Justin.tv. The idea behind it was, basically, to create our own live-video streaming show, like 'Big Brother,' about ourselves, these entrepreneurs trying to make a reality show. It was a little bit meta and we launched this show.
I found university a little dispiriting. I thought I would enter the great halls of Plato, but instead I entered the halls of an intellectual sausage factory. I wanted to do something not on the main course, and chose the environment.
There's a lot of different parts to me, so it makes total sense to me that I would do a big TV show or studio movie and then do a free comedy show the next day. They both feel equally important to me.
The big thing for me is to make films that you feel, whether you feel happy, whether you feel sad, whether you feel sick; it's to make the audience feel so that the next day they remember what they saw.
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